Courses
Drawing – Study 1/1
Faculty of Fine ArtsStudy Programme: Painting
Code: ULA51 | Course level: undergraduate | ECTS credits: 13
Professor: Jasmina Kalić-Kumanudi, Biljana Đurđević, Milan Antić, Svetlana Volic, Nemanja Nikolić, Đurđa Sivački
Description:
Drawing human figure, (portrait, nude); charcoal drawing on paper in natural human size, still life with human figure in the ambience
Learning outcomes:
Drawing skills (proportions and character of human figure, portrait, nude, etc.)
Drawing human figure, (portrait, nude); charcoal drawing on paper in natural human size, still life with human figure in the ambience
Learning outcomes:
Drawing skills (proportions and character of human figure, portrait, nude, etc.)
Semester: autumn | Maximum number of visiting students: 3
Language: Serbian – available for international students
Drawing – Study 1/2
Faculty of Fine ArtsStudy Programme: Painting
Code: ULA52 | Course level: undergraduate | ECTS credits: 10
Professor: Jasmina Kalić-Kumanudi, Biljana Đurđević, Milan Antić, Svetlana Volic, Nemanja Nikolić, Đurđa Sivački
Description:
Drawing human figure (portrait, nude); charcoal drawing on paper in natural human size, still life with human figure in the ambience
Learning outcomes:
Drawing skills (proportions and character of human figure, portrait, nude, etc.)
Drawing human figure (portrait, nude); charcoal drawing on paper in natural human size, still life with human figure in the ambience
Learning outcomes:
Drawing skills (proportions and character of human figure, portrait, nude, etc.)
Semester: spring | Maximum number of visiting students: 3
Language: Serbian – available for international students
Painting – Study 2/1
Faculty of Fine ArtsStudy Programme: Painting
Code: ULA30 | Course level: undergraduate | ECTS credits: 11
Professor: Jasmina Kalić-Kumanudi, Biljana Đurđević, Milan Antić, Svetlana Volic, Nemanja Nikolić, Đurđa Sivački
Description:
Painting human figure (portrait, nude); acrylique and crayons on paper in natural human size, still life with human figure in the ambience
Learning outcomes:
Painting skills (proportions and character of human figure, portrait, nude, etc.)
Painting human figure (portrait, nude); acrylique and crayons on paper in natural human size, still life with human figure in the ambience
Learning outcomes:
Painting skills (proportions and character of human figure, portrait, nude, etc.)
Entry requirements: Enroled undergraduate studies in painting, sculpture or graphics
Semester: autumn | Maximum number of visiting students: 6
Language: Serbian – available for international students
Painting – Study 2/2
Faculty of Fine ArtsStudy Programme: Painting
Code: ULA31 | Course level: undergraduate | ECTS credits: 11
Professor: Jasmina Kalić-Kumanudi, Biljana Đurđević, Milan Antić, Svetlana Volic, Nemanja Nikolić, Đurđa Sivački
Description:
Painting human figure (portrait, nude); acrylique and crayons on paper in natural human size, still life with human figure in the ambience
Learning outcomes:
Painting skills (proportions and character of human figure, portrait, nude, etc.)
Painting human figure (portrait, nude); acrylique and crayons on paper in natural human size, still life with human figure in the ambience
Learning outcomes:
Painting skills (proportions and character of human figure, portrait, nude, etc.)
Entry requirements: Enroled undergraduate studies in painting, sculpture or graphics
Semester: spring | Maximum number of visiting students: 3
Language: Serbian – available for international students
Painting Technology 1/1
Faculty of Fine ArtsStudy Programme: Painting
Code: ULA48 | Course level: undergraduate | ECTS credits: 3
Professor: Stefan Tasić
Description:
The purpose of this course is for students to become acquainted with theoretical and practical knowledge on the preparation of painting materials, as well as on the characteristics of specific painting techniques. Students have the opportunity to learn about, among other things, the origin and characteristics of pigments, to prepare pastels and watercolours on their own, or to stretch, impregnate and prepare the canvas, as well as to try themselves in fresco technique. The skills acquired within this course were summed up by modern technologists by including scientific knowledge to improve the accumulated experience of generations of painters, which had already stood the test of time.
The purpose of this course is for students to become acquainted with theoretical and practical knowledge on the preparation of painting materials, as well as on the characteristics of specific painting techniques. Students have the opportunity to learn about, among other things, the origin and characteristics of pigments, to prepare pastels and watercolours on their own, or to stretch, impregnate and prepare the canvas, as well as to try themselves in fresco technique. The skills acquired within this course were summed up by modern technologists by including scientific knowledge to improve the accumulated experience of generations of painters, which had already stood the test of time.
Semester: autumn | Maximum number of visiting students: 3
Language: Serbian – available for international students
Painting Technology 1/2
Faculty of Fine ArtsStudy Programme: Painting
Code: ULA49 | Course level: undergraduate | ECTS credits: 3
Professor: Stefan Tasić
Description:
The purpose of this course is for students to become acquainted with theoretical and practical knowledge on the preparation of painting materials, as well as on the characteristics of specific painting techniques. Students have the opportunity to learn about, among other things, the origin and characteristics of pigments, to prepare pastels and watercolours on their own, or to stretch, impregnate and prepare the canvas, as well as to try themselves in fresco technique. The skills acquired within this course were summed up by modern technologists by including scientific knowledge to improve the accumulated experience of generations of painters, which had already stood the test of time.
The purpose of this course is for students to become acquainted with theoretical and practical knowledge on the preparation of painting materials, as well as on the characteristics of specific painting techniques. Students have the opportunity to learn about, among other things, the origin and characteristics of pigments, to prepare pastels and watercolours on their own, or to stretch, impregnate and prepare the canvas, as well as to try themselves in fresco technique. The skills acquired within this course were summed up by modern technologists by including scientific knowledge to improve the accumulated experience of generations of painters, which had already stood the test of time.
Semester: spring | Maximum number of visiting students: 12
Language: Serbian – available for international students
Painting 3/1
Faculty of Fine ArtsStudy Programme: Painting
Code: ULA36 | Course level: undergraduate | ECTS credits: 9
Professor: Dimitrije Pecić, Dobrica Bisenić, Branko Raković, Zoran Dimovski, Vesna Knežević, Simonida Rajčević, Miško Pavlović
Description:
Painting is the main subject taught at the Painting Department. It is also taught as an elective subject for the students of sculpture, printmaking and intermedia students. In the third year of studies students can select to work in the studio of one of the eight supervisors. Painting as a subject is based on studio work and it includes mentorial approach – individual contact between a professor and a student is the basis of instruction.
Learning outcomes:
The main outcome of this course is to develop skills in the field of painting and to advance the individual poetics of each student. Students may choose to paint from live models in the studio, although this is not obligatory.
Painting is the main subject taught at the Painting Department. It is also taught as an elective subject for the students of sculpture, printmaking and intermedia students. In the third year of studies students can select to work in the studio of one of the eight supervisors. Painting as a subject is based on studio work and it includes mentorial approach – individual contact between a professor and a student is the basis of instruction.
Learning outcomes:
The main outcome of this course is to develop skills in the field of painting and to advance the individual poetics of each student. Students may choose to paint from live models in the studio, although this is not obligatory.
Entry requirements: Enroled undergraduate studies in painting, sculpture or graphics
Semester: autumn | Maximum number of visiting students: 3
Language: SER/ENG
Painting 3/2
Faculty of Fine ArtsStudy Programme: Painting
Code: ULA37 | Course level: undergraduate | ECTS credits: 9
Professor: Dimitrije Pecić, Dobrica Bisenić, Branko Raković, Zoran Dimovski, Vesna Knežević, Simonida Rajčević, Miško Pavlović
Description:
Painting is the main subject taught at the Painting Department. It is also taught as an elective subject for the students of sculpture, printmaking and intermedia students. In the third year of studies students can select to work in the studio of one of the eight supervisors. Painting as a subject is based on studio work and it includes mentorial approach – individual contact between a professor and a student is the basis of instruction.
Learning outcomes:
The main outcome of this course is to develop skills in the field of painting and to advance the individual poetics of each student. Students may choose to paint from live models in the studio, although this is not obligatory.
Painting is the main subject taught at the Painting Department. It is also taught as an elective subject for the students of sculpture, printmaking and intermedia students. In the third year of studies students can select to work in the studio of one of the eight supervisors. Painting as a subject is based on studio work and it includes mentorial approach – individual contact between a professor and a student is the basis of instruction.
Learning outcomes:
The main outcome of this course is to develop skills in the field of painting and to advance the individual poetics of each student. Students may choose to paint from live models in the studio, although this is not obligatory.
Entry requirements: Enroled undergraduate studies in painting, sculpture or graphics
Semester: spring | Maximum number of visiting students: 3
Language: Serbian – available for international students
Painting 4/1
Faculty of Fine ArtsStudy Programme: Painting
Code: ULA38 | Course level: undergraduate | ECTS credits: 9
Professor: Dimitrije Pecić, Dobrica Bisenić, Branko Raković, Zoran Dimovski, Vesna Knežević, Simonida Rajčević, Miško Pavlović
Description:
Painting is the main subject taught at the Painting Department. It is also taught as an elective subject for the students of sculpture, printmaking and intermedia students. In the third year of studies students can select to work in the studio of one of the eight supervisors. Painting as a subject is based on studio work and it includes mentorial approach – individual contact between a professor and a student is the basis of instruction.
Learning outcomes:
The main outcome of this course is to develop skills in the field of painting and to advance the individual poetics of each student. Students may choose to paint from live models in the studio, although this is not obligatory.
Painting is the main subject taught at the Painting Department. It is also taught as an elective subject for the students of sculpture, printmaking and intermedia students. In the third year of studies students can select to work in the studio of one of the eight supervisors. Painting as a subject is based on studio work and it includes mentorial approach – individual contact between a professor and a student is the basis of instruction.
Learning outcomes:
The main outcome of this course is to develop skills in the field of painting and to advance the individual poetics of each student. Students may choose to paint from live models in the studio, although this is not obligatory.
Entry requirements: Enroled undergraduate studies in painting, sculpture or graphics
Semester: autumn | Maximum number of visiting students: 3
Language: Serbian – available for international students
Painting 4/2
Faculty of Fine ArtsStudy Programme: Painting
Code: ULA39 | Course level: undergraduate | ECTS credits: 9
Professor: Dimitrije Pecić, Dobrica Bisenić, Branko Raković, Zoran Dimovski, Vesna Knežević, Simonida Rajčević, Miško Pavlović
Description:
Painting is the main subject taught at the Painting Department. It is also taught as an elective subject for the students of sculpture, printmaking and intermedia students. In the third year of studies students can select to work in the studio of one of the eight supervisors. Painting as a subject is based on studio work and it includes mentoring approach – individual contact between a professor and a student is the basis of instruction.
Learning outcomes:
The main outcome of this course is to develop skills in the field of painting and to advance the individual poetics of each student. Students may choose to paint from live models in the studio, although this is not obligatory.
Painting is the main subject taught at the Painting Department. It is also taught as an elective subject for the students of sculpture, printmaking and intermedia students. In the third year of studies students can select to work in the studio of one of the eight supervisors. Painting as a subject is based on studio work and it includes mentoring approach – individual contact between a professor and a student is the basis of instruction.
Learning outcomes:
The main outcome of this course is to develop skills in the field of painting and to advance the individual poetics of each student. Students may choose to paint from live models in the studio, although this is not obligatory.
Entry requirements: Enroled undergraduate studies in painting, sculpture or graphics
Semester: spring | Maximum number of visiting students: 3
Language: Serbian – available for international students
Drawing 3/1
Faculty of Fine ArtsStudy Programme: Painting
Code: ULA55 | Course level: undergraduate | ECTS credits: 4
Professor: Dimitrije Pecić, Dobrica Bisenić, Branko Raković, Zoran Dimovski, Vesna Knežević, Simonida Rajčević, Miško Pavlović
Description:
Drawing is the second important subject at the Painting Department. Students can select a professor. Drawing as a subject in the third and fourth year of studies is the continuation of the process started in the first years of studies. It is absolutely open for all poetics and drawing techniques. The teaching approach is individual/ mentorial. Live models are available in the studio.
Learning outcomes:
The main outcome of this course is to develop skills in the field of painting and to advance the individual poetics of each student.
Drawing is the second important subject at the Painting Department. Students can select a professor. Drawing as a subject in the third and fourth year of studies is the continuation of the process started in the first years of studies. It is absolutely open for all poetics and drawing techniques. The teaching approach is individual/ mentorial. Live models are available in the studio.
Learning outcomes:
The main outcome of this course is to develop skills in the field of painting and to advance the individual poetics of each student.
Entry requirements: Enroled undergraduate studies in painting, sculpture or graphics
Semester: autumn | Maximum number of visiting students: 4
Language: Serbian – available for international students
Drawing 3/2
Faculty of Fine ArtsStudy Programme: Painting
Code: ULA56 | Course level: undergraduate | ECTS credits: 4
Professor: Dimitrije Pecić, Dobrica Bisenić, Branko Raković, Zoran Dimovski, Vesna Knežević, Simonida Rajčević, Miško Pavlović
Description:
Drawing is the second important subject at the Painting Department. Students can select a professor. Drawing as a subject in the third and fourth year of studies is the continuation of the process started in the first years of studies. It is absolutely open for all poetics and drawing techniques. The teaching approach is individual/ mentorial. Live models are available in the studio.
Learning outcomes:
The main outcome of this course is to develop skills in the field of painting and to advance the individual poetics of each student.
Drawing is the second important subject at the Painting Department. Students can select a professor. Drawing as a subject in the third and fourth year of studies is the continuation of the process started in the first years of studies. It is absolutely open for all poetics and drawing techniques. The teaching approach is individual/ mentorial. Live models are available in the studio.
Learning outcomes:
The main outcome of this course is to develop skills in the field of painting and to advance the individual poetics of each student.
Entry requirements: Enroled undergraduate studies in painting, sculpture or graphics
Semester: spring | Maximum number of visiting students: 4
Language: SER/ENG
Drawing 4/1
Faculty of Fine ArtsStudy Programme: Painting
Code: ULA57 | Course level: undergraduate | ECTS credits: 6
Professor: Dimitrije Pecić, Dobrica Bisenić, Branko Raković, Zoran Dimovski, Vesna Knežević, Simonida Rajčević, Miško Pavlović
Description:
Drawing is the second important subject at the Painting Department. Students can select a professor. Drawing as a subject in the third and fourth year of studies is the continuation of the process started in the first years of studies. It is absolutely open for all poetics and drawing techniques. The teaching approach is individual/ mentorial. Live models are available in the studio.
Learning outcomes:
The main outcome of this course is to develop skills in the field of painting and to advance the individual poetics of each student.
Drawing is the second important subject at the Painting Department. Students can select a professor. Drawing as a subject in the third and fourth year of studies is the continuation of the process started in the first years of studies. It is absolutely open for all poetics and drawing techniques. The teaching approach is individual/ mentorial. Live models are available in the studio.
Learning outcomes:
The main outcome of this course is to develop skills in the field of painting and to advance the individual poetics of each student.
Entry requirements: Enroled undergraduate studies in painting, sculpture or graphics
Semester: autumn | Maximum number of visiting students: 4
Language: SER/ENG
Drawing 4/2
Faculty of Fine ArtsStudy Programme: Painting
Code: ULA58 | Course level: undergraduate | ECTS credits: 6
Professor: Dimitrije Pecić, Dobrica Bisenić, Branko Raković, Zoran Dimovski, Vesna Knežević, Simonida Rajčević, Miško Pavlović
Description:
Drawing is the second important subject at the Painting Department. Students can select a professor. Drawing as a subject in the third and fourth year of studies is the continuation of the process started in the first years of studies. It is absolutely open for all poetics and drawing techniques. The teaching approach is individual/ mentorial. Live models are available in the studio.
Learning outcomes:
Drawing is the second important subject at the Painting Department. Students can select a professor. Drawing as a subject in the third and fourth year of studies is the continuation of the process started in the first years of studies. It is absolutely open for all poetics and drawing techniques. The teaching approach is individual/ mentorial. Live models are available in the studio.
Drawing is the second important subject at the Painting Department. Students can select a professor. Drawing as a subject in the third and fourth year of studies is the continuation of the process started in the first years of studies. It is absolutely open for all poetics and drawing techniques. The teaching approach is individual/ mentorial. Live models are available in the studio.
Learning outcomes:
Drawing is the second important subject at the Painting Department. Students can select a professor. Drawing as a subject in the third and fourth year of studies is the continuation of the process started in the first years of studies. It is absolutely open for all poetics and drawing techniques. The teaching approach is individual/ mentorial. Live models are available in the studio.
Entry requirements: Enroled undergraduate studies in painting, sculpture or graphics
Semester: spring | Maximum number of visiting students: 4
Language: SER/ENG
Wall Painting – Mosaic 3/1
Faculty of Fine ArtsStudy Programme: Painting
Code: ULA3 | Course level: undergraduate | ECTS credits: 3
Professor: Zoran Graovac, Snežana Jovčić Olđa, Goran Jović
Description:
The curriculum of this course is focused on acquiring theoretical knowledge of the techniques of wall painting, fresco and secco painting, as well as complete practical, artistic and technological knowledge of mosaic making techniques, using natural stone and applying the indirect method.
Learning outcomes:
Upon completing this course, students are fully trained to execute their or other people’s works in the mosaic technique, independently or with a group of authors, to execute a mosaic or a wall painting indoors and outdoors, and to carry out the complex tasks of executing wall paintings of larger formats.
The curriculum of this course is focused on acquiring theoretical knowledge of the techniques of wall painting, fresco and secco painting, as well as complete practical, artistic and technological knowledge of mosaic making techniques, using natural stone and applying the indirect method.
Learning outcomes:
Upon completing this course, students are fully trained to execute their or other people’s works in the mosaic technique, independently or with a group of authors, to execute a mosaic or a wall painting indoors and outdoors, and to carry out the complex tasks of executing wall paintings of larger formats.
Entry requirements: Enroled undergraduate studies of painting, sculpture or graphics
Semester: autumn | Maximum number of visiting students: 5
Language: Serbian – available for international students
Wall Painting – Mosaic 3/2
Faculty of Fine ArtsStudy Programme: Painting
Code: ULA4 | Course level: undergraduate | ECTS credits: 3
Professor: Zoran Graovac, Snežana Jovčić Olđa, Goran Jović
Description:
The curriculum of this course is focused on acquiring theoretical knowledge of the techniques of wall painting, fresco and secco painting, as well as complete practical, artistic and technological knowledge of mosaic making techniques, using natural stone and applying the indirect method.
Learning outcomes:
Upon completing this course, students are fully trained to execute their or other people’s works in the mosaic technique, independently or with a group of authors, to execute a mosaic or a wall painting indoors and outdoors, and to carry out the complex tasks of executing wall paintings of larger formats.
The curriculum of this course is focused on acquiring theoretical knowledge of the techniques of wall painting, fresco and secco painting, as well as complete practical, artistic and technological knowledge of mosaic making techniques, using natural stone and applying the indirect method.
Learning outcomes:
Upon completing this course, students are fully trained to execute their or other people’s works in the mosaic technique, independently or with a group of authors, to execute a mosaic or a wall painting indoors and outdoors, and to carry out the complex tasks of executing wall paintings of larger formats.
Entry requirements: Enroled undergraduate studies of painting, sculpture or graphics
Semester: spring | Maximum number of visiting students: 5
Language: Serbian – available for international students
Wall Painting – Mosaic 4/1
Faculty of Fine ArtsStudy Programme: Painting
Code: UIB4/1A | Course level: undergraduate | ECTS credits: 3
Professor: Zoran Graovac, Snežana Jovčić Olđa, Goran Jović
Description:
The curriculum of this course is focused on acquiring theoretical knowledge of the techniques of wall painting, fresco and secco painting, as well as complete practical, artistic and technological knowledge of mosaic making techniques, using natural stone and applying the indirect method.
Learning outcomes:
Upon completing this course, students are fully trained to execute their or other people’s works in the mosaic technique, independently or with a group of authors, to execute a mosaic or a wall painting indoors and outdoors, and to carry out the complex tasks of executing wall paintings of larger formats.
The curriculum of this course is focused on acquiring theoretical knowledge of the techniques of wall painting, fresco and secco painting, as well as complete practical, artistic and technological knowledge of mosaic making techniques, using natural stone and applying the indirect method.
Learning outcomes:
Upon completing this course, students are fully trained to execute their or other people’s works in the mosaic technique, independently or with a group of authors, to execute a mosaic or a wall painting indoors and outdoors, and to carry out the complex tasks of executing wall paintings of larger formats.
Entry requirements: Enroled undergraduate studies of painting, sculpture or graphics
Semester: autumn | Maximum number of visiting students: 5
Language: Serbian - available for international students
Wall Painting – Mosaic 4/2
Faculty of Fine ArtsStudy Programme: Painting
Code: UIB4/2A | Course level: undergraduate | ECTS credits: 3
Professor: Zoran Graovac, Snežana Jovčić Olđa, Goran Jović
Description:
The curriculum of this course is focused on acquiring theoretical knowledge of the techniques of wall painting, fresco and secco painting, as well as complete practical, artistic and technological knowledge of mosaic making techniques, using natural stone and applying the indirect method.
Learning outcomes:
Upon completing this course, students are fully trained to execute their or other people’s works in the mosaic technique, independently or with a group of authors, to execute a mosaic or a wall painting indoors and outdoors, and to carry out the complex tasks of executing wall paintings of larger formats.
The curriculum of this course is focused on acquiring theoretical knowledge of the techniques of wall painting, fresco and secco painting, as well as complete practical, artistic and technological knowledge of mosaic making techniques, using natural stone and applying the indirect method.
Learning outcomes:
Upon completing this course, students are fully trained to execute their or other people’s works in the mosaic technique, independently or with a group of authors, to execute a mosaic or a wall painting indoors and outdoors, and to carry out the complex tasks of executing wall paintings of larger formats.
Entry requirements: Enroled undergraduate studies of painting, sculpture or graphics
Semester: spring | Maximum number of visiting students: 5
Language: Serbian - available for international students
Plastic Anatomy 1/1
Faculty of Fine ArtsStudy Programme: Painting
Code: ULA25 | Course level: undergraduate | ECTS credits: 3
Professor: Petar Đorđević
Description:
Student line model by drawing muscles and bones in the context of perceived forms usingskeleton, literature and illustrations as a starting point. Studying symmetry, joints point, characteristic traits of shape and their connections in order to build a continent.
Student line model by drawing muscles and bones in the context of perceived forms usingskeleton, literature and illustrations as a starting point. Studying symmetry, joints point, characteristic traits of shape and their connections in order to build a continent.
Semester: autumn | Maximum number of visiting students: 1
Language: Serbian - available for international students
Plastic Anatomy 1/2
Faculty of Fine ArtsStudy Programme: Painting
Code: ULA26 | Course level: undergraduate | ECTS credits: 3
Professor: Petar Đorđević
Description:
Student line model by drawing muscles and bones in the context of perceived forms usingskeleton, literature and illustrations as a starting point. Studying symmetry, joints point, characteristic traits of shape and their connections in order to build a continent.
Student line model by drawing muscles and bones in the context of perceived forms usingskeleton, literature and illustrations as a starting point. Studying symmetry, joints point, characteristic traits of shape and their connections in order to build a continent.
Semester: spring | Maximum number of visiting students: 1
Language: Serbian - available for international students
Plastic Anatomy 2/1
Faculty of Fine ArtsStudy Programme: Painting
Code: ULA27 | Course level: undergraduate | ECTS credits: 3
Professor: Petar Đorđević
Description:
Student line model by drawing muscles and bones in the context of perceived forms usingskeleton, literature and illustrations as a starting point. Studying symmetry, joints point, characteristic traits of shape and their connections in order to build a continent.
Student line model by drawing muscles and bones in the context of perceived forms usingskeleton, literature and illustrations as a starting point. Studying symmetry, joints point, characteristic traits of shape and their connections in order to build a continent.
Semester: autumn | Maximum number of visiting students: 1
Language: Serbian - available for international students
Plastic Anatomy 2/2
Faculty of Fine ArtsStudy Programme: Painting
Code: ULA28 | Course level: undergraduate | ECTS credits: 3
Professor: Petar Đorđević
Description:
Student line model by drawing muscles and bones in the context of perceived forms usingskeleton, literature and illustrations as a starting point. Studying symmetry, joints point, characteristic traits of shape and their connections in order to build a continent.
Student line model by drawing muscles and bones in the context of perceived forms usingskeleton, literature and illustrations as a starting point. Studying symmetry, joints point, characteristic traits of shape and their connections in order to build a continent.
Semester: spring | Maximum number of visiting students: 1
Language: Serbian - available for international students
Sculpture 1/1
Faculty of Fine ArtsStudy Programme: Sculpture
Code: ULC08 | Course level: undergraduate | ECTS credits: 8
Professor: Gabriel Glid, Milica Murgić, Davor Dukić
Description:
This course primarily focuses on practice.
Students are asked to work with live models, making portraits and small-sized figures in clay, paying particular attention to identifying the model's proportions, providing an insight into the character and movement, understanding the three-dimensionality of form in space and the role of light and shade on the sculpture surface.
Learning outcomes:
Students learn to observe and sharpen their observation skills by sculpting the human form, which is the main focus of this course.
This course primarily focuses on practice.
Students are asked to work with live models, making portraits and small-sized figures in clay, paying particular attention to identifying the model's proportions, providing an insight into the character and movement, understanding the three-dimensionality of form in space and the role of light and shade on the sculpture surface.
Learning outcomes:
Students learn to observe and sharpen their observation skills by sculpting the human form, which is the main focus of this course.
Entry requirements: Basic sculpting knowledge
Semester: autumn | Maximum number of visiting students: 2
Language: Serbian – available for international students
Sculpture 2/2
Faculty of Fine ArtsStudy Programme: Sculpture
Code: ULC11 | Course level: undergraduate | ECTS credits: 9
Professor: Sculpture 2/2
Description:
The goal of this course is to develop visual perception, observation of the observed forms, and artistic transposition of such forms.
Students sculpt from a live model: portraits, medium-sized sculptures/ figures (up to 1m high) and relief - arbitrary format.
Moreover, students explore their intrinsic artistic poetry through drawing analysis, experimental sculpting work and conversation, which eventually culminates in independent sculpting work, which can be executed in any material and form, depending on the nature of the idea.
Learning outcomes:
Students develop basic sculpting knowledge about proportion, movement, construction, mass allocation, surface passages and planning. Students learn how to control direct perception through shape abstraction and the knowledge of anatomy, subjecting both to the general rules of composition, and applying these skills in expressing their personal creative ideas.
The goal of this course is to develop visual perception, observation of the observed forms, and artistic transposition of such forms.
Students sculpt from a live model: portraits, medium-sized sculptures/ figures (up to 1m high) and relief - arbitrary format.
Moreover, students explore their intrinsic artistic poetry through drawing analysis, experimental sculpting work and conversation, which eventually culminates in independent sculpting work, which can be executed in any material and form, depending on the nature of the idea.
Learning outcomes:
Students develop basic sculpting knowledge about proportion, movement, construction, mass allocation, surface passages and planning. Students learn how to control direct perception through shape abstraction and the knowledge of anatomy, subjecting both to the general rules of composition, and applying these skills in expressing their personal creative ideas.
Semester: spring | Maximum number of visiting students: 2
Language: Serbian – available for international students
Sculpture 3/1
Faculty of Fine ArtsStudy Programme: Sculpture
Code: ULC12 | Course level: undergraduate | ECTS credits: 6
Professor: Radoš Antonijević, Zdravko Joksimović, Olivera Parlić
Description:
Students develop their potential for perception and the observation of form through different tasks, in order to elaborate and make complex real size figure forms, modelled in clay. Students build on their previous experience by understanding shape dimensions, character and spatial organization, thus becoming capable of creative interpretation of the observed forms. Parallel individual tasks open up the field of their own individual research.
Learning outcomes:
Building on their previous education by acquiring advanced knowledge through self-reflection and the recognition of their skills, students are able to identify the field of their personal stylistic approach and future development.
Students develop their potential for perception and the observation of form through different tasks, in order to elaborate and make complex real size figure forms, modelled in clay. Students build on their previous experience by understanding shape dimensions, character and spatial organization, thus becoming capable of creative interpretation of the observed forms. Parallel individual tasks open up the field of their own individual research.
Learning outcomes:
Building on their previous education by acquiring advanced knowledge through self-reflection and the recognition of their skills, students are able to identify the field of their personal stylistic approach and future development.
Entry requirements: Basic two-year experience through sculpture practice
Semester: autumn | Maximum number of visiting students: 3
Language: Serbian – available for international students
Sculpture 3/2
Faculty of Fine ArtsStudy Programme: Sculpture
Code: ULC13 | Course level: undergraduate | ECTS credits: 6
Professor: Radoš Antonijević, Zdravko Joksimović, Olivera Parlić
Description:
Students develop their potential for perception and the observation of form through different tasks, in order to elaborate and make complex real size figure forms, modelled in clay. Students build on their previous experience by understanding shape dimensions, character and spatial organization, thus becoming capable of creative interpretation of the observed forms. Parallel individual tasks open up the field of their own individual research.
Learning outcomes:
Building on their previous education by acquiring advanced knowledge through self-reflection and the recognition of their skills, students are able to identify the field of their personal stylistic approach and future development.
Students develop their potential for perception and the observation of form through different tasks, in order to elaborate and make complex real size figure forms, modelled in clay. Students build on their previous experience by understanding shape dimensions, character and spatial organization, thus becoming capable of creative interpretation of the observed forms. Parallel individual tasks open up the field of their own individual research.
Learning outcomes:
Building on their previous education by acquiring advanced knowledge through self-reflection and the recognition of their skills, students are able to identify the field of their personal stylistic approach and future development.
Entry requirements: Basic two-year experience through sculpture practice
Semester: spring | Maximum number of visiting students: 3
Language: Serbian – available for international students
Drawing 1/1
Faculty of Fine ArtsStudy Programme: Sculpture
Code: ULC44 | Course level: undergraduate | ECTS credits: 4
Professor: Davor Dukić, Dunja Trutin
Description:
The objective of this course is to assist students in understanding the basic principles of the study approach to the problem of drawing. Students use large formats and draw by nature (human figure).
Learning outcomes:
Students are qualified to execute large-format drawings of the human figure, character, body positions, gestures and proportions.
The objective of this course is to assist students in understanding the basic principles of the study approach to the problem of drawing. Students use large formats and draw by nature (human figure).
Learning outcomes:
Students are qualified to execute large-format drawings of the human figure, character, body positions, gestures and proportions.
Entry requirements: Basic drawing knowledge
Semester: autumn | Maximum number of visiting students: 2
Language: Serbian – available for international students
Drawing 1/2
Faculty of Fine ArtsStudy Programme: Sculpture
Code: ULC45 | Course level: undergraduate | ECTS credits: 4
Professor: Davor Dukić, Dunja Trutin
Description:
Students use large formats and draw by nature (human figure); they are introduced to space representation in the paper format. During the drawing exercises students learn about brightness, contrast, textures, proportions, etc. in academic drawing.
Learning outcomes:
Students are qualified to execute large-format drawings of the human figure in proportion and space, and to apply the basic drawing techniques.
Students use large formats and draw by nature (human figure); they are introduced to space representation in the paper format. During the drawing exercises students learn about brightness, contrast, textures, proportions, etc. in academic drawing.
Learning outcomes:
Students are qualified to execute large-format drawings of the human figure in proportion and space, and to apply the basic drawing techniques.
Entry requirements: Basic drawing knowledge
Semester: spring | Maximum number of visiting students: 2
Language: Serbian – available for international students
Stone sculpture 2/1
Faculty of Fine ArtsStudy Programme: Sculpture
Code: ULC30 | Course level: undergraduate | ECTS credits: 2
Professor: Đorđe Čpajak
Description:
In the second year of study, the form of the study programme is free and students execute sculptures (models included- usually 1: 1). The Faculty of Fine Arts provides: material (stone) of gallery format, the tools (hand and machine- pneumatic machines, cutting and grinding discs and other tools necessary for work).
Learning outcomes:
Basic stonecutting skills
In the second year of study, the form of the study programme is free and students execute sculptures (models included- usually 1: 1). The Faculty of Fine Arts provides: material (stone) of gallery format, the tools (hand and machine- pneumatic machines, cutting and grinding discs and other tools necessary for work).
Learning outcomes:
Basic stonecutting skills
Semester: autumn | Maximum number of visiting students: 2
Language: Serbian - available for international students
Stone sculpture 2/2
Faculty of Fine ArtsStudy Programme: Sculpture
Code: ULC31 | Course level: undergraduate | ECTS credits: 2
Professor: Đorđe Čpajak
Description:
In the second year of study, the form of the study programme is free and students execute sculptures (models included- usually 1: 1). The Faculty of Fine Arts provides: material (stone) of gallery format, the tools (hand and machine- pneumatic machines, cutting and grinding discs and other tools necessary for work).
Learning outcomes:
Basic stonecutting skills
In the second year of study, the form of the study programme is free and students execute sculptures (models included- usually 1: 1). The Faculty of Fine Arts provides: material (stone) of gallery format, the tools (hand and machine- pneumatic machines, cutting and grinding discs and other tools necessary for work).
Learning outcomes:
Basic stonecutting skills
Semester: autumn | Maximum number of visiting students: 1
Language: Serbian - available for international students
Stone sculpture 4/1
Faculty of Fine ArtsStudy Programme: Sculpture
Code: ULC34 | Course level: undergraduate | ECTS credits: 2
Professor: Đorđe Čpajak
Description:
Sculpture in stone is an optional subject in the fourth year. Students are welcome to execute sculptures in their own way, to freely choose the theme and format of work.
Learning outcomes:
Advanced stonecutting skills
Sculpture in stone is an optional subject in the fourth year. Students are welcome to execute sculptures in their own way, to freely choose the theme and format of work.
Learning outcomes:
Advanced stonecutting skills
Entry requirements: To have experience in basic stonecutting
Semester: autumn | Maximum number of visiting students: 2
Language: Serbian – available for international students
Stone sculpture 4/2
Faculty of Fine ArtsStudy Programme: Sculpture
Code: ULC35 | Course level: undergraduate | ECTS credits: 2
Professor: Đorđe Čpajak
Description:
Sculpture in stone is an optional subject in the fourth year. Students are welcome to execute sculptures in their own way, to freely choose the theme and format of work.
Learning outcomes:
Advanced stonecutting skills
Sculpture in stone is an optional subject in the fourth year. Students are welcome to execute sculptures in their own way, to freely choose the theme and format of work.
Learning outcomes:
Advanced stonecutting skills
Entry requirements: To have experience in basic stonecutting
Semester: spring | Maximum number of visiting students: 1
Language: Serbian – available for international students
Sculpture in Wood 3/2
Faculty of Fine ArtsStudy Programme: Sculpture
Code: ULC59 | Course level: undergraduate | ECTS credits: 2
Professor: Dušan Petrović
Description:
Students gradually move from smaller to larger formats – up to 1 m sculptures in plastic and relief sculptures. Students are acquainted with the possibilities of fitting the sculpture into the wood mass and forming a wood block by gluing several wooden pieces. Students significantly broaden their knowledge of different kinds of wood, their technical properties, including their knowledge of the very being of wood, as perceived in today’s world of modern sculpture.
Examples from the history of art are analyzed.
Enhanced technical skill in handling tools is also required. Students learn how to apply electrical tools and wood processing machines. Students are warned against dangers of injury and instructed how to properly handle the tools, as well as to use protective equipment in their work.
Students learn about the final processing of a wooden surface, possibility of colouring, impregnation and wood protection.
The final rigging of the work and its presentation.
Learning outcomes:
Advanced woodworking skills
Students gradually move from smaller to larger formats – up to 1 m sculptures in plastic and relief sculptures. Students are acquainted with the possibilities of fitting the sculpture into the wood mass and forming a wood block by gluing several wooden pieces. Students significantly broaden their knowledge of different kinds of wood, their technical properties, including their knowledge of the very being of wood, as perceived in today’s world of modern sculpture.
Examples from the history of art are analyzed.
Enhanced technical skill in handling tools is also required. Students learn how to apply electrical tools and wood processing machines. Students are warned against dangers of injury and instructed how to properly handle the tools, as well as to use protective equipment in their work.
Students learn about the final processing of a wooden surface, possibility of colouring, impregnation and wood protection.
The final rigging of the work and its presentation.
Learning outcomes:
Advanced woodworking skills
Semester: spring | Maximum number of visiting students: 3
Language: Serbian - available for international students
Printmaking 1/1
Faculty of Fine ArtsStudy Programme: Printmaking
Code: ULB01 | Course level: undergraduate | ECTS credits: 6
Professor: Vladimir Veljašević
Description:
The aim is to acquaint students with the meaning of the concept of printmaking. This course explores the basic principles and process of relief printmaking (linocut, woodcut).
Learning outcomes:
The student is able to conceive, develop and produce print independently in relief printmaking techniques, according to professional standards.
The aim is to acquaint students with the meaning of the concept of printmaking. This course explores the basic principles and process of relief printmaking (linocut, woodcut).
Learning outcomes:
The student is able to conceive, develop and produce print independently in relief printmaking techniques, according to professional standards.
Semester: autumn | Maximum number of visiting students: 2
Language: Serbian - available for international students
Printmaking 1/2
Faculty of Fine ArtsStudy Programme: Printmaking
Code: ULB02 | Course level: undergraduate | ECTS credits: 7
Professor: Vladimir Veljašević
Description:
The aim is to acquaint students with the meaning of the concept of printmaking and to enable them to develop awareness of the elements of composition within the spatial organization of a graphic sheet. This course explores the basic principles and process of relief printmaking (linocut, woodcut).
Learning outcomes:
The student is able to conceive, develop and produce print independently in relief printmaking techniques, according to professional standards.
The aim is to acquaint students with the meaning of the concept of printmaking and to enable them to develop awareness of the elements of composition within the spatial organization of a graphic sheet. This course explores the basic principles and process of relief printmaking (linocut, woodcut).
Learning outcomes:
The student is able to conceive, develop and produce print independently in relief printmaking techniques, according to professional standards.
Semester: spring | Maximum number of visiting students: 2
Language: Serbian - available for international students
Printmaking 2/1
Faculty of Fine ArtsStudy Programme: Printmaking
Code: ULB03 | Course level: undergraduate | ECTS credits: 6
Professor: Katarina Zarić, Aleksandar Mladenović
Description:
This course comprises modules, such as: line, hatching, surface, line and surface, colour. Students learn the basic visual elements of intaglio printing (engraving, aquatint, soft coating, dry point, mezzotint), and how to understand and solve the problems of composition, light and form as the fundamental elements.
Learning outcomes:
Students learn the skills of the aforementioned individual techniques of intaglio printing and their combinations as well. They master the possibilities of combining the newly acquired skills of intaglio printing with the previously obtained knowledge about relief printing, in order to develop an adequate cognitive process and the logic of the prerequisites of this particular, complex and broad discipline, including the use and application of the experience acquired in other related subjects and media.
This course comprises modules, such as: line, hatching, surface, line and surface, colour. Students learn the basic visual elements of intaglio printing (engraving, aquatint, soft coating, dry point, mezzotint), and how to understand and solve the problems of composition, light and form as the fundamental elements.
Learning outcomes:
Students learn the skills of the aforementioned individual techniques of intaglio printing and their combinations as well. They master the possibilities of combining the newly acquired skills of intaglio printing with the previously obtained knowledge about relief printing, in order to develop an adequate cognitive process and the logic of the prerequisites of this particular, complex and broad discipline, including the use and application of the experience acquired in other related subjects and media.
Semester: autumn | Maximum number of visiting students: 2
Language: Serbian - available for international students
Printmaking 2/2
Faculty of Fine ArtsStudy Programme: Printmaking
Code: ULB04 | Course level: undergraduate | ECTS credits: 6
Professor: Katarina Zarić, Aleksandar Mladenović
Description:
This course comprises modules, such as: line, hatching, surface, line and surface, colour. Students learn the basic visual elements of intaglio printing (engraving, aquatint, soft coating, dry point, mezzotint), and how to understand and solve the problems of composition, light and form as the fundamental elements.
Learning outcomes:
Students learn the skills of the aforementioned individual techniques of intaglio printing and their combinations as well. They master the possibilities of combining the newly acquired skills of intaglio printing with the previously obtained knowledge about relief printing, in order to develop an adequate cognitive process and the logic of the prerequisites of this particular, complex and broad discipline, including the use and application of the experience acquired in other related subjects and media.
This course comprises modules, such as: line, hatching, surface, line and surface, colour. Students learn the basic visual elements of intaglio printing (engraving, aquatint, soft coating, dry point, mezzotint), and how to understand and solve the problems of composition, light and form as the fundamental elements.
Learning outcomes:
Students learn the skills of the aforementioned individual techniques of intaglio printing and their combinations as well. They master the possibilities of combining the newly acquired skills of intaglio printing with the previously obtained knowledge about relief printing, in order to develop an adequate cognitive process and the logic of the prerequisites of this particular, complex and broad discipline, including the use and application of the experience acquired in other related subjects and media.
Semester: Autumn & Spring | Number of semesters: 2 | Maximum number of visiting students: 1
Language: Serbian - available for international students
Printmaking and Drawing 3/1
Faculty of Fine ArtsStudy Programme: Printmaking
Code: ULB79 | Course level: undergraduate | ECTS credits: 10
Professor: Žarko Smiljanić, Miodrag Mlađović, Dragan Momirov, Katarina Zarić, Aleksandar Mladenović, Vladimir Veljašević, Adam Pantić, Vladimir Milanović
Description:
Based on the experience gathered in the previous two years of study and the application of new graphic techniques, students continue to improve their proficiency in the art of relief and intaglio printing. Particular attention is paid to the line, halftone and texture, and emphasis is put on the use of colour and its adequate application in graphic art.
Learning outcomes:
The goal of this course is to use the broad spectrum of graphic possibilities in order to direct students towards a greater creative sensibility.
Based on the experience gathered in the previous two years of study and the application of new graphic techniques, students continue to improve their proficiency in the art of relief and intaglio printing. Particular attention is paid to the line, halftone and texture, and emphasis is put on the use of colour and its adequate application in graphic art.
Learning outcomes:
The goal of this course is to use the broad spectrum of graphic possibilities in order to direct students towards a greater creative sensibility.
Semester: autumn | Maximum number of visiting students: 2
Language: Serbian - available for international students
Printmaking and Drawing 3/2
Faculty of Fine ArtsStudy Programme: Printmaking
Code: ULB80 | Course level: undergraduate | ECTS credits: 10
Professor: Žarko Smiljanić, Miodrag Mlađović, Dragan Momirov, Katarina Zarić, Aleksandar Mladenović, Vladimir Veljašević, Adam Pantić, Vladimir Milanović
Description:
Based on the experience gathered in the previous two years of study and the application of new graphic techniques, students continue to improve their proficiency in the art of relief and intaglio printing. Particular attention is paid to the line, halftone and texture, and emphasis is put on the use of colour and its adequate application in graphic art.
Learning outcomes:
The goal of this course is to use the broad spectrum of graphic possibilities in order to direct students towards a greater creative sensibility.
Based on the experience gathered in the previous two years of study and the application of new graphic techniques, students continue to improve their proficiency in the art of relief and intaglio printing. Particular attention is paid to the line, halftone and texture, and emphasis is put on the use of colour and its adequate application in graphic art.
Learning outcomes:
The goal of this course is to use the broad spectrum of graphic possibilities in order to direct students towards a greater creative sensibility.
Semester: spring | Maximum number of visiting students: 2
Language: Serbian - available for international students
Intaglio Printmaking 3/1
Faculty of Fine ArtsStudy Programme: Printmaking
Code: ULB27 | Course level: undergraduate | ECTS credits: 2
Professor: Katarina Zarić
Description:
Students are taught the techniques of intaglio printing (engraving, aquatint, soft coating, dry point and mezzotint), the history of these techniques, their characteristics and differences in relation to relief or plane printing, and silk-screen printing or serigraphy; students also get acquainted with the necessary materials and tools.
Learning outcomes:
Students will master the possibilities of combining the newly acquired skills of intaglio printing and develop personal artistic approach to this medium.
Students are taught the techniques of intaglio printing (engraving, aquatint, soft coating, dry point and mezzotint), the history of these techniques, their characteristics and differences in relation to relief or plane printing, and silk-screen printing or serigraphy; students also get acquainted with the necessary materials and tools.
Learning outcomes:
Students will master the possibilities of combining the newly acquired skills of intaglio printing and develop personal artistic approach to this medium.
Semester: autumn | Maximum number of visiting students: 2
Language: Serbian - available for international students
Intaglio Printmaking 3/2
Faculty of Fine ArtsStudy Programme: Printmaking
Code: ULB28 | Course level: undergraduate | ECTS credits: 2
Professor: Katarina Zarić
Description:
Students are taught the techniques of intaglio printing (engraving, aquatint, soft coating, dry point and mezzotint), the history of these techniques, their characteristics and differences in relation to relief or plane printing, and silk-screen printing or serigraphy; students also get acquainted with the necessary materials and tools.
Learning outcomes:
Students will master the possibilities of combining the newly acquired skills of intaglio printing and develop personal artistic approach to this medium.
Students are taught the techniques of intaglio printing (engraving, aquatint, soft coating, dry point and mezzotint), the history of these techniques, their characteristics and differences in relation to relief or plane printing, and silk-screen printing or serigraphy; students also get acquainted with the necessary materials and tools.
Learning outcomes:
Students will master the possibilities of combining the newly acquired skills of intaglio printing and develop personal artistic approach to this medium.
Semester: spring | Maximum number of visiting students: 2
Language: Serbian - available for international students
Lithography 3/1
Faculty of Fine ArtsStudy Programme: Printmaking
Code: ULB31 | Course level: undergraduate | ECTS credits: 2
Professor: Adam Pantić
Description:
Systematic study of complex organization in lithography printmaking; articulating artistic expression according to the specifics of this discipline; achieving the required level of professional production.
Learning outcomes:
The student is able to apply the basic lithography process in his own work on professional production level. Individual work and teamwork within the framework of a professional workshop organization.
Systematic study of complex organization in lithography printmaking; articulating artistic expression according to the specifics of this discipline; achieving the required level of professional production.
Learning outcomes:
The student is able to apply the basic lithography process in his own work on professional production level. Individual work and teamwork within the framework of a professional workshop organization.
Semester: autumn | Maximum number of visiting students: 2
Language: Serbian - available for international students
Lithography 3/2
Faculty of Fine ArtsStudy Programme: Printmaking
Code: ULB32 | Course level: undergraduate | ECTS credits: 2
Professor: Adam Pantić
Description:
Systematic study of complex organization in lithography printmaking; articulating artistic expression according to the specifics of this discipline; achieving the required level of professional production.
Learning outcomes:
The student is able to apply the basic lithography process in his own work on professional production level. Individual work and teamwork within the framework of a professional workshop organization.
Systematic study of complex organization in lithography printmaking; articulating artistic expression according to the specifics of this discipline; achieving the required level of professional production.
Learning outcomes:
The student is able to apply the basic lithography process in his own work on professional production level. Individual work and teamwork within the framework of a professional workshop organization.
Semester: spring | Maximum number of visiting students: 2
Language: Serbian - available for international students
Silk Screen 3/1
Faculty of Fine ArtsStudy Programme: Printmaking
Code: ULB33 | Course level: undergraduate | ECTS credits: 2
Professor: Dragan Momirov
Description:
This course develops creative sensitivity and expression in different disciplines of drawing and its application in graphics. Students will learn the chemical and technological processes of silk screen printing (serigraphy) and the creative potential of this medium.
Learning outcomes:
Students are able to properly use all visual elements and produce silk screen print according to professional standards.
This course develops creative sensitivity and expression in different disciplines of drawing and its application in graphics. Students will learn the chemical and technological processes of silk screen printing (serigraphy) and the creative potential of this medium.
Learning outcomes:
Students are able to properly use all visual elements and produce silk screen print according to professional standards.
Semester: autumn | Maximum number of visiting students: 2
Language: Serbian - available for international students
Silk Screen 3/2
Faculty of Fine ArtsStudy Programme: Printmaking
Code: ULB34 | Course level: undergraduate | ECTS credits: 2
Professor: Dragan Momirov
Description:
This course develops creative sensitivity and expression in different disciplines of drawing and its application in graphics. Students will learn the chemical and technological processes of silk screen printing (serigraphy) and the creative potential of this medium.
Learning outcomes:
Students are able to properly use all visual elements and produce silk screen print according to professional standards.
This course develops creative sensitivity and expression in different disciplines of drawing and its application in graphics. Students will learn the chemical and technological processes of silk screen printing (serigraphy) and the creative potential of this medium.
Learning outcomes:
Students are able to properly use all visual elements and produce silk screen print according to professional standards.
Semester: spring | Maximum number of visiting students: 2
Language: Serbian - available for international students
Printmaking and Drawing 4/1
Faculty of Fine ArtsStudy Programme: Printmaking
Code: ULB81 | Course level: undergraduate | ECTS credits: 10
Professor: Miodrag Mlađović, Dragan Momirov, Katarina Zarić, Aleksandar Mladenović, Vladimir Veljašević, Adam Pantić, Vladimir Milanović
Description:
The subject is a complex combination of theoretical knowledge and practical skills, leading to the development of individual visual expression. Each student systematically practices all the acquired printmaking techniques of relief, intaglio, lithography and silk-screen printing, with the introduction of new technologies (digital printing, contemporary photo procedures).
Learning outcomes:
Students are able to combine printmaking techniques freely in order to open up possibilities of personal innovation. All this enriches, deepens and purifies the acquired knowledge and skills.
The subject is a complex combination of theoretical knowledge and practical skills, leading to the development of individual visual expression. Each student systematically practices all the acquired printmaking techniques of relief, intaglio, lithography and silk-screen printing, with the introduction of new technologies (digital printing, contemporary photo procedures).
Learning outcomes:
Students are able to combine printmaking techniques freely in order to open up possibilities of personal innovation. All this enriches, deepens and purifies the acquired knowledge and skills.
Semester: autumn | Maximum number of visiting students: 2
Language: Serbian – available for international students
Printmaking and Drawing 4/2
Faculty of Fine ArtsStudy Programme: Printmaking
Code: ULB82 | Course level: undergraduate | ECTS credits: 10
Professor: Žarko Smiljanić, Miodrag Mlađović, Dragan Momirov, Katarina Zarić, Aleksandar Mladenović, Vladimir Veljašević, Adam Pantić, Vladimir Milanović
Description:
The subject is a complex combination of theoretical knowledge and practical skills leading to the development of individual visual expressions. Each student systematically practices all of the learned printmaking techniques of relief, intaglio, lithography and silk-screen printing with the introduction of new technologies (digital printing, contemporary photo procedures).
Learning outcomes:
Students are able to combine printmaking techniques freely in order to open up possibilities of personal innovation. All this enriches, deepens and purifies the acquired knowledge and skills.
The subject is a complex combination of theoretical knowledge and practical skills leading to the development of individual visual expressions. Each student systematically practices all of the learned printmaking techniques of relief, intaglio, lithography and silk-screen printing with the introduction of new technologies (digital printing, contemporary photo procedures).
Learning outcomes:
Students are able to combine printmaking techniques freely in order to open up possibilities of personal innovation. All this enriches, deepens and purifies the acquired knowledge and skills.
Semester: spring | Maximum number of visiting students: 2
Language: Serbian – available for international students
Digital Printmaking 4/1
Faculty of Fine ArtsStudy Programme: Printmaking
Code: ULB77 | Course level: undergraduate | ECTS credits: 5
Professor: Vladimir Milanović
Description:
This course explores the use of new technologies in the wide range of expressive possibilities of modern graphics and printmaking. The course is based on developing ideas and defining concepts, creating images in a digital medium, on the final production (printed or screen images) and the presentation of the produced work.
Learning outcomes:
Students are able to use computer programmes for raster graphics (Adobe Photoshop) and vector graphics (Adobe Illustrator), using a scanned photo or other materials, processing the source material according to specific requirements. The basic knowledge of pre-press and digital printing process.
This course explores the use of new technologies in the wide range of expressive possibilities of modern graphics and printmaking. The course is based on developing ideas and defining concepts, creating images in a digital medium, on the final production (printed or screen images) and the presentation of the produced work.
Learning outcomes:
Students are able to use computer programmes for raster graphics (Adobe Photoshop) and vector graphics (Adobe Illustrator), using a scanned photo or other materials, processing the source material according to specific requirements. The basic knowledge of pre-press and digital printing process.
Semester: autumn | Maximum number of visiting students: 2
Language: Serbian - available for international students
Digital Printmaking 4/2
Faculty of Fine ArtsStudy Programme: Printmaking
Code: ULB78 | Course level: undergraduate | ECTS credits: 5
Professor: Vladimir Milanović
Description:
This course explores the use of new technologies in the wide range of expressive possibilities of modern graphics and printmaking. The course is based on developing ideas and defining concepts, creating images in a digital medium, on the final production (printed or screen images) and the presentation of the produced work.
Learning outcomes:
Students are able to use computer programmes for raster graphics (Adobe Photoshop) and vector graphics (Adobe Illustrator), using a scanned photo or other materials, processing the source material according to specific requirements. The basic knowledge of pre-press and digital printing process.
This course explores the use of new technologies in the wide range of expressive possibilities of modern graphics and printmaking. The course is based on developing ideas and defining concepts, creating images in a digital medium, on the final production (printed or screen images) and the presentation of the produced work.
Learning outcomes:
Students are able to use computer programmes for raster graphics (Adobe Photoshop) and vector graphics (Adobe Illustrator), using a scanned photo or other materials, processing the source material according to specific requirements. The basic knowledge of pre-press and digital printing process.
Semester: spring | Maximum number of visiting students: 2
Language: Serbian - available for international students
Sculpture 1/2
Faculty of Fine ArtsStudy Programme: Sculpture
Code: ULC09 | Course level: undergraduate | ECTS credits: 8
Professor: Zdravko Joksimovic, Gabriel Glid
Description:
This course primarily focuses on practice.
Students are asked to work with live models, making portraits and small-sized figures in clay, paying particular attention to identifying the model's proportions, providing an insight into the character and movement, understanding the three-dimensionality of form in space and the role of light and shade on the sculpture surface.
Learning outcomes:
Students learn to observe and sharpen their observation skills by sculpting the human form, which is the main focus of this course.
This course primarily focuses on practice.
Students are asked to work with live models, making portraits and small-sized figures in clay, paying particular attention to identifying the model's proportions, providing an insight into the character and movement, understanding the three-dimensionality of form in space and the role of light and shade on the sculpture surface.
Learning outcomes:
Students learn to observe and sharpen their observation skills by sculpting the human form, which is the main focus of this course.
Entry requirements: Basic sculpting knowledge
Semester: spring | Maximum number of visiting students: 2
Language: Serbian – available for international students
Sculpture 2/1
Faculty of Fine ArtsStudy Programme: Sculpture
Code: ULC10 | Course level: undergraduate | ECTS credits: 12
Professor: Gabriel Glid, Milica Murgić, Davor Dukić
Description:
The goal of this course is to develop visual perception, observation of the observed forms, and the artistic transposition of such forms.
Students sculpt from a live model: portraits, medium-sized sculptures/ figures (up to 1m high) and relief - arbitrary format.
Moreover, students explore their intrinsic artistic poetry through drawing analysis, experimental sculpting work and conversation, which eventually culminates in independent sculpting work, which can be executed in any material and form, depending on the nature of the idea.
Learning outcomes:
Students develop basic sculpting knowledge about proportion, movement, construction, mass allocation, surface passages and planning. Students learn how to control direct perception through shape abstraction and the knowledge of anatomy, subjecting both to the general rules of composition, and applying these skills in expressing their personal creative ideas.
The goal of this course is to develop visual perception, observation of the observed forms, and the artistic transposition of such forms.
Students sculpt from a live model: portraits, medium-sized sculptures/ figures (up to 1m high) and relief - arbitrary format.
Moreover, students explore their intrinsic artistic poetry through drawing analysis, experimental sculpting work and conversation, which eventually culminates in independent sculpting work, which can be executed in any material and form, depending on the nature of the idea.
Learning outcomes:
Students develop basic sculpting knowledge about proportion, movement, construction, mass allocation, surface passages and planning. Students learn how to control direct perception through shape abstraction and the knowledge of anatomy, subjecting both to the general rules of composition, and applying these skills in expressing their personal creative ideas.
Semester: autumn | Maximum number of visiting students: 2
Language: Serbian – available for international students
Sculpture 4/1
Faculty of Fine ArtsStudy Programme: Sculpture
Code: ULC40 | Course level: undergraduate | ECTS credits: 10
Professor: Radoš Antonijević, Zdravko Joksimović, Olivera Parlić
Description:
Students develop their potential for perception and the observation of form through different tasks, in order to elaborate and make complex real size figure forms, modelled in clay. Students build on their previous experience by understanding shape dimensions, character and spatial organization, thus becoming capable of creative interpretation of the observed forms. Parallel individual tasks open up the field of their own individual research.
Learning outcomes:
Building on their previous education by acquiring advanced knowledge through self-reflection and the recognition of their skills, students are able to identify the field of their personal stylistic approach and future development.
Students develop their potential for perception and the observation of form through different tasks, in order to elaborate and make complex real size figure forms, modelled in clay. Students build on their previous experience by understanding shape dimensions, character and spatial organization, thus becoming capable of creative interpretation of the observed forms. Parallel individual tasks open up the field of their own individual research.
Learning outcomes:
Building on their previous education by acquiring advanced knowledge through self-reflection and the recognition of their skills, students are able to identify the field of their personal stylistic approach and future development.
Semester: autumn | Maximum number of visiting students: 3
Language: Serbian – available for international students
Sculpture 4/2
Faculty of Fine ArtsStudy Programme: Sculpture
Code: ULC41 | Course level: undergraduate | ECTS credits: 10
Professor: Radoš Antonijević, Zdravko Joksimović, Olivera Parlić
Description:
Students develop their potential for perception and the observation of form through different tasks, in order to elaborate and make complex real size figure forms, modelled in clay. Students build on their previous experience by understanding shape dimensions, character and spatial organization, thus becoming capable of creative interpretation of the observed forms. Parallel individual tasks open up the field of their own individual research.
Learning outcomes:
Building on their previous education by acquiring advanced knowledge through self-reflection and the recognition of their skills, students are able to identify the field of their personal stylistic approach and future development.
Students develop their potential for perception and the observation of form through different tasks, in order to elaborate and make complex real size figure forms, modelled in clay. Students build on their previous experience by understanding shape dimensions, character and spatial organization, thus becoming capable of creative interpretation of the observed forms. Parallel individual tasks open up the field of their own individual research.
Learning outcomes:
Building on their previous education by acquiring advanced knowledge through self-reflection and the recognition of their skills, students are able to identify the field of their personal stylistic approach and future development.
Semester: spring | Maximum number of visiting students: 3
Language: Serbian – available for international students
Transmedia Research 3/1
Faculty of Fine ArtsStudy Programme: New Media
Code: ULE05 | Course level: undergraduate | ECTS credits: 8
Professor: Zoran Todorović, Vladimir Nikolić
Description:
The course provides mentored education in new media art production combined with gaining an active insight into the conceptual, technological, theoretical, cultural and political features of new media art. It emphasizes the integration of multidisciplinary research with technical mastery for the creation of inventive, innovative and socially relevant artwork.
Learning outcomes:
Mastering a complex process of conceptualization, research, testing, production, presentation and placement of a new media art project. Students are trained for individual and team realization of new media art projects.
The course provides mentored education in new media art production combined with gaining an active insight into the conceptual, technological, theoretical, cultural and political features of new media art. It emphasizes the integration of multidisciplinary research with technical mastery for the creation of inventive, innovative and socially relevant artwork.
Learning outcomes:
Mastering a complex process of conceptualization, research, testing, production, presentation and placement of a new media art project. Students are trained for individual and team realization of new media art projects.
Entry requirements: Intermediate experience in new media art
Semester: autumn | Maximum number of visiting students: 3
Language: Serbian – available for international students
Transmedia Research 3/2
Faculty of Fine ArtsStudy Programme: New Media
Code: ULE06 | Course level: undergraduate | ECTS credits: 8
Professor: Zoran Todorović, Vladimir Nikolić
Description:
The course provides a mentored education in new media art production combined with gaining an active insight into the conceptual, technological, theoretical, cultural and political features of new media art. It emphasizes the integration of multidisciplinary research with technical mastery for the creation of inventive, innovative and socially relevant artwork.
Learning outcomes:
The course motivates an active engagement and development of conceptual thinking, technical skills, technological understanding and theoretical knowledge, critical discourse and professional responsibility.
The course provides a mentored education in new media art production combined with gaining an active insight into the conceptual, technological, theoretical, cultural and political features of new media art. It emphasizes the integration of multidisciplinary research with technical mastery for the creation of inventive, innovative and socially relevant artwork.
Learning outcomes:
The course motivates an active engagement and development of conceptual thinking, technical skills, technological understanding and theoretical knowledge, critical discourse and professional responsibility.
Entry requirements: Intermediate experience in new media art
Semester: spring | Maximum number of visiting students: 3
Language: Serbian – available for international students
Transmedia Research 4/1
Faculty of Fine ArtsStudy Programme: New Media
Code: ULE07 | Course level: undergraduate | ECTS credits: 11
Professor: Zoran Todorović, Vladimir Nikolić
Description:
Detailed understanding and further development of poetic, production-technological, theoretical, historical and cultural aspects of new media art. Rounding up the educational process of BA studies through realization of complex, clearly profiled diploma projects.
Learning outcomes:
Mastering a complex process of conceptualization, research, testing, production, presentation and placement of a new media art project. Students are trained for individual and team realization of new media art projects.
Detailed understanding and further development of poetic, production-technological, theoretical, historical and cultural aspects of new media art. Rounding up the educational process of BA studies through realization of complex, clearly profiled diploma projects.
Learning outcomes:
Mastering a complex process of conceptualization, research, testing, production, presentation and placement of a new media art project. Students are trained for individual and team realization of new media art projects.
Entry requirements: Intermediate experience in new media art
Semester: autumn | Maximum number of visiting students: 3
Language: Serbian – available for international students
Transmedia Research 4/2
Faculty of Fine ArtsStudy Programme: New Media
Code: ULE08 | Course level: undergraduate | ECTS credits: 11
Professor: Zoran Todorović, Vladimir Nikolić
Description:
Detailed understanding and further development of poetic, production-technological, theoretical, historical and cultural aspects of new media art. Rounding up the educational process of BA studies through realization of complex, clearly profiled diploma projects.
Learning outcomes:
Mastering a complex process of conceptualization, research, testing, production, presentation and placement of a new media art project. Students are trained for individual and team realization of new media art projects.
Detailed understanding and further development of poetic, production-technological, theoretical, historical and cultural aspects of new media art. Rounding up the educational process of BA studies through realization of complex, clearly profiled diploma projects.
Learning outcomes:
Mastering a complex process of conceptualization, research, testing, production, presentation and placement of a new media art project. Students are trained for individual and team realization of new media art projects.
Entry requirements: Intermediate experience in new media art
Semester: spring | Maximum number of visiting students: 3
Language: Serbian – available for international students
Technology of New Media 3/1
Faculty of Fine ArtsStudy Programme: New Media
Code: ULE21 | Course level: undergraduate | ECTS credits: 2
Professor: Aleksandra Jovanić
Description:
This tutorial seminar provides theoretical understanding and hands-on experience in 3D modelling: from the idea, sketching, sculpting and transforming to finalizing and rendering.
Learning outcomes:
Understanding the conceptual and methodological aspects of 3D modelling.
This tutorial seminar provides theoretical understanding and hands-on experience in 3D modelling: from the idea, sketching, sculpting and transforming to finalizing and rendering.
Learning outcomes:
Understanding the conceptual and methodological aspects of 3D modelling.
Entry requirements: Basic knowledge of 3D modelling
Semester: autumn | Maximum number of visiting students: 1
Language: Serbian - available for international students
Technology of New Media 3/2
Faculty of Fine ArtsStudy Programme: New Media
Code: ULE22 | Course level: undergraduate | ECTS credits: 2
Professor: Aleksandra Jovanić
Description:
This tutorial seminar provides theoretical understanding and hands-on experience in 3D animation from the idea, design and transforming to finalizing and rendering.
Learning outcomes:
Understanding the conceptual and methodological aspects of 3D animation.
This tutorial seminar provides theoretical understanding and hands-on experience in 3D animation from the idea, design and transforming to finalizing and rendering.
Learning outcomes:
Understanding the conceptual and methodological aspects of 3D animation.
Entry requirements: Basic knowledge of 3D animation
Semester: spring | Maximum number of visiting students: 1
Language: Serbian - available for international students
Technology of New Media 4/1
Faculty of Fine ArtsStudy Programme: New Media
Code: ULE23 | Course level: undergraduate | ECTS credits: 2
Professor: Aleksandra Jovanić
Description:
This tutorial seminar provides theoretical understanding and hands-on experience in contemporary materials and techniques for modelling, prototyping, building complex objects and installations, with an introduction to physical computing and 3D printing
Learning outcomes:
Understanding the conceptual and methodological aspects of maker techniques, physical computing and 3D printing.
This tutorial seminar provides theoretical understanding and hands-on experience in contemporary materials and techniques for modelling, prototyping, building complex objects and installations, with an introduction to physical computing and 3D printing
Learning outcomes:
Understanding the conceptual and methodological aspects of maker techniques, physical computing and 3D printing.
Entry requirements: Basic knowledge of maker techniques and programming experience
Semester: autumn | Maximum number of visiting students: 2
Language: Serbian - available for international students
Technology of New Media 4/2
Faculty of Fine ArtsStudy Programme: New Media
Code: ULE24 | Course level: undergraduate | ECTS credits: 2
Professor: Aleksandra Jovanić
Description:
This tutorial seminar provides theoretical understanding and hands-on experience in computer networking and communication protocols. Creative use of WWW protocol: HTML5, CSS3, JavaScript and scripting libraries.
Learning outcomes:
Understanding the conceptual and methodological aspects of modern web techniques.
This tutorial seminar provides theoretical understanding and hands-on experience in computer networking and communication protocols. Creative use of WWW protocol: HTML5, CSS3, JavaScript and scripting libraries.
Learning outcomes:
Understanding the conceptual and methodological aspects of modern web techniques.
Entry requirements: Basic skills in web development
Semester: spring | Maximum number of visiting students: 2
Language: Serbian - available for international students
Discursive Practices in Art and Media 3/1
Faculty of Fine ArtsStudy Programme: New Media
Code: ULE32 | Course level: undergraduate | ECTS credits: 2
Professor: Bojana Matejić
Description:
Relations and reflections between contemporary art and art theory. Art in the context of poly-genre writings and texts of culture.
Learning outcomes:
Systematic integration of theoretical studies and creative research with art practice.
Relations and reflections between contemporary art and art theory. Art in the context of poly-genre writings and texts of culture.
Learning outcomes:
Systematic integration of theoretical studies and creative research with art practice.
Entry requirements: Basic to intermediary experience in new media art theory
Semester: autumn | Maximum number of visiting students: 2
Language: Serbian - available for international students
Discursive Practices in Art and Media 3/2
Faculty of Fine ArtsStudy Programme: New Media
Code: ULE32 | Course level: undergraduate | ECTS credits: 2
Professor: Bojana Matejić
Description:
Models and theories of performative arts in the art studies, theories of culture, media and performance.
Learning outcomes:
Systematic integration of theoretical studies and creative research with art practice.
Models and theories of performative arts in the art studies, theories of culture, media and performance.
Learning outcomes:
Systematic integration of theoretical studies and creative research with art practice.
Entry requirements: Basic to intermediary experience in new media art theory
Semester: spring | Maximum number of visiting students: 2
Language: Serbian - available for international students
Discursive Practices in Art and Media 4/1
Faculty of Fine ArtsStudy Programme: New Media
Code: ULE33 | Course level: undergraduate | ECTS credits: 2
Professor: Bojana Matejić
Description:
Relations between art and politics. Positions, functions and roles of the arts in various political and economic contexts.
Learning outcomes:
Systematic integration of theoretical studies and creative research with art practice.
Relations between art and politics. Positions, functions and roles of the arts in various political and economic contexts.
Learning outcomes:
Systematic integration of theoretical studies and creative research with art practice.
Entry requirements: Intermediary experience in new media art theory
Semester: autumn | Maximum number of visiting students: 2
Language: Serbian - available for international students
Discursive Practices in Art and Media 4/2
Faculty of Fine ArtsStudy Programme: New Media
Code: ULE34 | Course level: undergraduate | ECTS credits: 2
Professor: Bojana Matejić
Description:
Criticism of the text-based media theory. Cognitive sciences and contemporary art.
Learning outcomes:
Systematic integration of theoretical studies and creative research with art practice.
Criticism of the text-based media theory. Cognitive sciences and contemporary art.
Learning outcomes:
Systematic integration of theoretical studies and creative research with art practice.
Entry requirements: Intermediary experience in new media art theory
Semester: spring | Maximum number of visiting students: 2
Language: Serbian - available for international students
Art History from Prehistory to the End of the Antique – examples and phenomena
Faculty of Fine ArtsStudy Programme: Theory and History of Arts
Code: ULD01 | Course level: undergraduate | ECTS credits: 2
Professor: Aleksandra Kučeković
Description:
This course presents the most significant examples and phenomena in the visual arts from the early prehistoric development up to the end of the classical antiquity. Students are encouraged to perceive and understand this vast historical period through its broad and changing cultural spectrums. Special emphasis is put upon understanding the concept of „art“ in diverse cultures and epochs. The problems of its applicability in prehistory and early history, and its emergence and development in the antique are particularly studied.
Learning outcomes:
Students are expected to be able to recognize the impact of the period in question on later developments in European culture and arts.
This course presents the most significant examples and phenomena in the visual arts from the early prehistoric development up to the end of the classical antiquity. Students are encouraged to perceive and understand this vast historical period through its broad and changing cultural spectrums. Special emphasis is put upon understanding the concept of „art“ in diverse cultures and epochs. The problems of its applicability in prehistory and early history, and its emergence and development in the antique are particularly studied.
Learning outcomes:
Students are expected to be able to recognize the impact of the period in question on later developments in European culture and arts.
Entry requirements: Basic knowledge of art history
Semester: autumn | Maximum number of visiting students: 3
Language: Serbian - available for international students
European Art in the Middle Ages
Faculty of Fine ArtsStudy Programme: Theory and History of Arts
Code: ULD02 | Course level: undergraduate | ECTS credits: 2
Professor: Aleksandra Kučeković
Description:
The course presents the developments in European visual culture and gives their historical backgrounds from the time of the dissolution of the Roman Empire and the emergence of Christianity, through the formation of Medieval European culture in the East and the West respectively, up to the fall of Byzantium and the birth of the Renaissance. The underlying theme of the course could be summarized in the question put by Jacques le Goff– L’Europe est-elle née au Moyen age?
Learning outcomes:
Students should be able to understand the spatial, temporal and socio-cultural context of medieval European artistic production, as well as its modern interpretation.
The course presents the developments in European visual culture and gives their historical backgrounds from the time of the dissolution of the Roman Empire and the emergence of Christianity, through the formation of Medieval European culture in the East and the West respectively, up to the fall of Byzantium and the birth of the Renaissance. The underlying theme of the course could be summarized in the question put by Jacques le Goff– L’Europe est-elle née au Moyen age?
Learning outcomes:
Students should be able to understand the spatial, temporal and socio-cultural context of medieval European artistic production, as well as its modern interpretation.
Entry requirements: Basic knowledge of art history
Semester: spring | Maximum number of visiting students: 3
Language: Serbian - available for international students
Between East and West – Serbian Art of the Middle Ages
Faculty of Fine ArtsStudy Programme: Theory and History of Arts
Code: ULD03 | Course level: undergraduate | ECTS credits: 2
Professor: Aleksandra Kučeković
Description:
The course introduces and interprets the fundamental developmental and ideological context of arts in the lands inhabited by Serbs in the Middle Ages. The broader historical, religious and cultural context of the Balkans is also explored, with special attention paid to the impact of the cultural exchange between East and West.
Learning outcomes:
Proceeding from recently established scientific facts, students are encouraged to understand and contextualize artefacts of the “glorious” national past and visual culture of the Serbian medieval states. Students should be able to recognize historical and functional aspects of medieval arts in the specific territory of the medieval Serbia, and to understand its visual culture as a result of an intensive and ongoing East-West exchange.
The course introduces and interprets the fundamental developmental and ideological context of arts in the lands inhabited by Serbs in the Middle Ages. The broader historical, religious and cultural context of the Balkans is also explored, with special attention paid to the impact of the cultural exchange between East and West.
Learning outcomes:
Proceeding from recently established scientific facts, students are encouraged to understand and contextualize artefacts of the “glorious” national past and visual culture of the Serbian medieval states. Students should be able to recognize historical and functional aspects of medieval arts in the specific territory of the medieval Serbia, and to understand its visual culture as a result of an intensive and ongoing East-West exchange.
Entry requirements: Basic knowledge of medieval art history
Semester: autumn | Maximum number of visiting students: 3
Language: Serbian - available for international students
Serbian Art of the Early Modern Period
Faculty of Fine ArtsStudy Programme: Theory and History of Arts
Code: ULD06 | Course level: undergraduate | ECTS credits: 2
Professor: Jelena Todorović, Aleksandra Kučeković
Description:
During the course students are introduced to artistic developments within the Serbian entity in the Austrian and Turkish monarchies from 17th up to the late 19th century. The course focuses on viewing the period in two ways: 1. through the processes of rapid Europeanization of the Serbian visual culture and its incorporation into mid-European baroque cultural contexts and the hybridity of Baroque culture, supported by intensive bourgeois social development, and 2. through the transformation of post-Byzantine cultural heritage and the birth of modern national ideas in the 18th and 19th centuries, in full accordance with the European national movements and philosophies.
Learning outcomes:
Students acquire the knowledge of key concepts of Serbian art in the early modern period.
During the course students are introduced to artistic developments within the Serbian entity in the Austrian and Turkish monarchies from 17th up to the late 19th century. The course focuses on viewing the period in two ways: 1. through the processes of rapid Europeanization of the Serbian visual culture and its incorporation into mid-European baroque cultural contexts and the hybridity of Baroque culture, supported by intensive bourgeois social development, and 2. through the transformation of post-Byzantine cultural heritage and the birth of modern national ideas in the 18th and 19th centuries, in full accordance with the European national movements and philosophies.
Learning outcomes:
Students acquire the knowledge of key concepts of Serbian art in the early modern period.
Entry requirements: Basic knowledge of early modern art history
Semester: spring | Maximum number of visiting students: 3
Language: Serbian - available for international students
Early Modern History of Art 1400-1600
Faculty of Fine ArtsStudy Programme: Theory and History of Arts
Code: ULA03 | Course level: undergraduate | ECTS credits: 2
Professor: Jelena Todorović
Description:
The aim of this course is to offer the students an overview of Renaissance Art with special emphasis on the cultural history approach. Students would examine the issues of individuals, space and time, patronage, artistic status, classical heritage, which all greatly contribute to understanding this key period of art history.
Learning outcomes:
After the course the students would obtain general knowledge of the key concepts of European Renaissance art.
The aim of this course is to offer the students an overview of Renaissance Art with special emphasis on the cultural history approach. Students would examine the issues of individuals, space and time, patronage, artistic status, classical heritage, which all greatly contribute to understanding this key period of art history.
Learning outcomes:
After the course the students would obtain general knowledge of the key concepts of European Renaissance art.
Entry requirements: Basic knowledge of the history of art
Semester: spring | Maximum number of visiting students: 3
Language: Serbian - available for international students
Early Modern History of Art 1600-1830
Faculty of Fine ArtsStudy Programme: Theory and History of Arts
Code: ULA04 | Course level: undergraduate | ECTS credits: 2
Professor: Jelena Todorović
Description:
The aim of this course is to present to the students the development of art history over two important centuries- 17th and 18th century. From the beginnings of Baroque, through the art of Rococo, to the concepts of Neoclassicism and Romanticism, some key periods of art history would be examined.
Learning outcomes:
After the course the students would obtain general knowledge of the key concepts of European early modern art.
The aim of this course is to present to the students the development of art history over two important centuries- 17th and 18th century. From the beginnings of Baroque, through the art of Rococo, to the concepts of Neoclassicism and Romanticism, some key periods of art history would be examined.
Learning outcomes:
After the course the students would obtain general knowledge of the key concepts of European early modern art.
Entry requirements: Basic knowledge of art history
Semester: autumn | Maximum number of visiting students: 3
Language: Serbian - available for international students
History of Modern & Contemporary Art
Faculty of Fine ArtsStudy Programme: Theory and History of Arts
Code: ULD07 | Course level: undergraduate | ECTS credits: 2
Professor: Nikola Šuica
Description:
This course offers a thorough overview of modern art and a reliable and crucial insight into the practice of visual arts. It includes the related fields of humanities, presenting a variety of examples and relations in the realm of both modern and contemporary art. Students have the opportunity examine a number of key movements, expressions, contexts and processes.
Learning outcomes:
Students will obtain general knowledge of the key concepts of modern art in relation to changing societies and historical events.
This course offers a thorough overview of modern art and a reliable and crucial insight into the practice of visual arts. It includes the related fields of humanities, presenting a variety of examples and relations in the realm of both modern and contemporary art. Students have the opportunity examine a number of key movements, expressions, contexts and processes.
Learning outcomes:
Students will obtain general knowledge of the key concepts of modern art in relation to changing societies and historical events.
Entry requirements: Basic knowledge of art history up to Modernism
Semester: autumn | Maximum number of visiting students: 3
Language: Serbian - available for international students
History of South Slavic Modern & Contemporary Art
Faculty of Fine ArtsStudy Programme: Theory and History of Arts
Code: ULD08 | Course level: undergraduate | ECTS credits: 2
Professor: Nikola Šuica
Description:
The course encompasses the phases and changes in visual arts within the geopolitical framework of South Slavic regions. It includes research into 20th century imagery and culture, as compared to European movements, and into their changes up to contemporary times.
Learning outcomes:
The themes provide a challenging set of artistic examples and heritage, with a parallel being drawn with the key concepts of European modern art, in relation to societies and historical events.
The course encompasses the phases and changes in visual arts within the geopolitical framework of South Slavic regions. It includes research into 20th century imagery and culture, as compared to European movements, and into their changes up to contemporary times.
Learning outcomes:
The themes provide a challenging set of artistic examples and heritage, with a parallel being drawn with the key concepts of European modern art, in relation to societies and historical events.
Entry requirements: Basic knowledge of art history up to Modernism.
Semester: spring | Maximum number of visiting students: 3
Language: Serbian - available for international students
Pedagogy 2/1
Faculty of Fine ArtsStudy Programme: Theory and History of Arts
Code: ULD15 | Course level: undergraduate | ECTS credits: 2
Professor: Aleksandra Joksimović
Description:
The aim of this course is to provide an overview of some basic problems of education, schools, school systems, teaching and aesthetic education. Students will become familiar with the role, position and work of art teachers.
Learning outcomes:
After the course the students would obtain general knowledge of the school system in our country, of some basic theories and laws related to education and the characteristics of the teaching profession.
The aim of this course is to provide an overview of some basic problems of education, schools, school systems, teaching and aesthetic education. Students will become familiar with the role, position and work of art teachers.
Learning outcomes:
After the course the students would obtain general knowledge of the school system in our country, of some basic theories and laws related to education and the characteristics of the teaching profession.
Entry requirements: Enroled undergraduate studies in painting, sculpture, graphics or new media.
Semester: autumn | Maximum number of visiting students: 3
Language: Serbian – available for international students
Pedagogy 2/2
Faculty of Fine ArtsStudy Programme: Theory and History of Arts
Code: ULD16 | Course level: undergraduate | ECTS credits: 2
Professor: Aleksandra Joksimović
Description:
Students gain knowledge on how to organize classes and other school activities and learn the skills that allow them to be thoughtful practitioners in the classroom and to have a good basis for continuing their professional development.
Learning outcomes:
After the course the students would obtain general knowledge on how to make adequate choices of teaching methods and to prepare annual, periodic and daily plans.
Students gain knowledge on how to organize classes and other school activities and learn the skills that allow them to be thoughtful practitioners in the classroom and to have a good basis for continuing their professional development.
Learning outcomes:
After the course the students would obtain general knowledge on how to make adequate choices of teaching methods and to prepare annual, periodic and daily plans.
Entry requirements: Enroled undergraduate studies in painting, sculpture, graphics or new media.
Semester: spring | Maximum number of visiting students: 3
Language: Serbian – available for international students
Art as a Problem of Philosophy
Faculty of Fine ArtsStudy Programme: Theory and History of Arts
Code: ULD23 | Course level: undergraduate | ECTS credits: 2
Professor: Saša Radojčić
Description:
The course is focused on the predominant conceptual articulation of art and its change throughout the history of (western) thought. To obtain an understanding of philosophical approach to art, students have to analyze some basic concepts like techne, mimesis, beauty, value, creation, reception, aesthetical autonomy, world of arts, etc.
Learning outcomes:
After the course students would have the knowledge of the basic concepts of the philosophy of art and could apply their knowledge regarding the question of arts in the historical context.
The course is focused on the predominant conceptual articulation of art and its change throughout the history of (western) thought. To obtain an understanding of philosophical approach to art, students have to analyze some basic concepts like techne, mimesis, beauty, value, creation, reception, aesthetical autonomy, world of arts, etc.
Learning outcomes:
After the course students would have the knowledge of the basic concepts of the philosophy of art and could apply their knowledge regarding the question of arts in the historical context.
Entry requirements: Basic knowledge of the history of philosophy and the history of art.
Semester: autumn | Maximum number of visiting students: 2
Language: Serbian – available for international students
Philosophical Aspects of Modern and Postmodern Art
Faculty of Fine ArtsStudy Programme: Theory and History of Arts
Code: ULD24 | Course level: undergraduate | ECTS credits: 2
Professor: Saša Radojčić
Description:
The course deals with the philosophical background of modern and postmodern art. Students would examine the concepts of modern, modernism, tradition, avant-garde and postmodernism, and their social and technological aspects in the transformation of art from late 19th to early 21st century.
Learning outcomes:
After the course students would have general knowledge of the philosophical background of modern, postmodern and contemporary art.
The course deals with the philosophical background of modern and postmodern art. Students would examine the concepts of modern, modernism, tradition, avant-garde and postmodernism, and their social and technological aspects in the transformation of art from late 19th to early 21st century.
Learning outcomes:
After the course students would have general knowledge of the philosophical background of modern, postmodern and contemporary art.
Entry requirements: Basic knowledge of the history of philosophy and the history of art
Semester: spring | Maximum number of visiting students: 2
Language: Serbian - available for international students
Historical Positions in the Philosophy of Art
Faculty of Fine ArtsStudy Programme: Theory and History of Arts
Code: ULD25 | Course level: undergraduate | ECTS credits: 2
Professor: Saša Radojčić
Description:
The course briefly introduces students to the main positions in the history of the philosophy of art: Plato, Aristotle, Hellenistic and Roman thought, the Middle Ages and the Renaissance conceptions of art, the theory of taste, German idealism (Kant, Hegel, Schiller), Nietzsche, “scientific aesthetics“, phenomenology and hermeneutics, critical theory and contemporary aesthetics.
Learning outcomes:
After the course students would have general knowledge of the main positions in the history of the philosophy of art.
The course briefly introduces students to the main positions in the history of the philosophy of art: Plato, Aristotle, Hellenistic and Roman thought, the Middle Ages and the Renaissance conceptions of art, the theory of taste, German idealism (Kant, Hegel, Schiller), Nietzsche, “scientific aesthetics“, phenomenology and hermeneutics, critical theory and contemporary aesthetics.
Learning outcomes:
After the course students would have general knowledge of the main positions in the history of the philosophy of art.
Entry requirements: Basic knowledge of the history of philosophy and basic concepts of the philosophy of arts
Semester: autumn | Maximum number of visiting students: 2
Language: Serbian - available for international students
Ontology of the Work of Art
Faculty of Fine ArtsStudy Programme: Theory and History of Arts
Code: ULD26 | Course level: undergraduate | ECTS credits: 2
Professor: Saša Radojčić
Description:
The course explores the ontological questions of the work of art. Students have to read and discuss selected texts by N. Hartmann, M. Heidegger, G. Genette, R. Wollheim and A. Danto, with the common aim to give the sustainable definition of the work of art.
Learning outcomes:
After the course students would have the basic knowledge of the contemporary definitions of the work of art and could read the philosophical texts about art with understanding.
The course explores the ontological questions of the work of art. Students have to read and discuss selected texts by N. Hartmann, M. Heidegger, G. Genette, R. Wollheim and A. Danto, with the common aim to give the sustainable definition of the work of art.
Learning outcomes:
After the course students would have the basic knowledge of the contemporary definitions of the work of art and could read the philosophical texts about art with understanding.
Entry requirements: Basic knowledge of the history of philosophy of art and of the basic concepts of the philosophy of arts
Semester: spring | Maximum number of visiting students: 1
Language: Serbian - available for international students
Methodology of Art Education 3/1
Faculty of Fine ArtsStudy Programme: Theory and History of Arts
Code: ULD13 | Course level: undergraduate | ECTS credits: 4
Professor: Maja Bosnar
Description:
The aim of this course is to offer students an overview of different concepts and approaches developing creativity of preschool children, students in elementary and secondary schools, including through various forms of education outside the institutions.
Learning outcomes:
After the course students would obtain general knowledge of the key concepts and approaches of the methods of art education.
The aim of this course is to offer students an overview of different concepts and approaches developing creativity of preschool children, students in elementary and secondary schools, including through various forms of education outside the institutions.
Learning outcomes:
After the course students would obtain general knowledge of the key concepts and approaches of the methods of art education.
Entry requirements: No entry requirements for visiting students.
Semester: autumn | Maximum number of visiting students: 3
Language: Serbian – available for international students
Methodology of Art Education 3/2
Faculty of Fine ArtsStudy Programme: Theory and History of Arts
Code: ULD14 | Course level: undergraduate | ECTS credits: 4
Professor: Maja Bosnar
Description:
The aim of this course is to offer students an overview of different concepts and approaches developing creativity of preschool children, students in elementary and secondary schools, including through various forms of education outside the institutions.
Learning outcomes:
After the course students would obtain general knowledge of the key concepts and approaches of the methods of art education.
The aim of this course is to offer students an overview of different concepts and approaches developing creativity of preschool children, students in elementary and secondary schools, including through various forms of education outside the institutions.
Learning outcomes:
After the course students would obtain general knowledge of the key concepts and approaches of the methods of art education.
Entry requirements: No entry requirements for visiting students.
Semester: spring | Maximum number of visiting students: 3
Language: Serbian – available for international students
Sculpture in Wood 4/1
Faculty of Fine ArtsStudy Programme: Sculpture
Code: ULC60 | Course level: undergraduate | ECTS credits: 2
Professor: Dušan Petrović
Description:
Students gradually move from smaller to larger formats – up to 1 m sculptures in plastic and relief sculptures. Students are acquainted with the possibilities of fitting the sculpture into the wood mass and forming a woodblock by gluing several wooden pieces. Students significantly broaden their knowledge of different kinds of wood, their technical properties, including their knowledge of the very being of wood, as perceived in today’s world of modern sculpture.
Examples from the history of art are analyzed.
Enhanced technical skill in handling tools is also required. Students learn how to apply electrical tools and wood processing machines. Students are warned against the dangers of injury and instructed how to properly handle the tools, as well as to use protective equipment in their work.
Students learn about the final processing of a wooden surface, the possibility of colouring, impregnation and wood protection.
Learning outcomes:
Advanced woodworking skills
Students gradually move from smaller to larger formats – up to 1 m sculptures in plastic and relief sculptures. Students are acquainted with the possibilities of fitting the sculpture into the wood mass and forming a woodblock by gluing several wooden pieces. Students significantly broaden their knowledge of different kinds of wood, their technical properties, including their knowledge of the very being of wood, as perceived in today’s world of modern sculpture.
Examples from the history of art are analyzed.
Enhanced technical skill in handling tools is also required. Students learn how to apply electrical tools and wood processing machines. Students are warned against the dangers of injury and instructed how to properly handle the tools, as well as to use protective equipment in their work.
Students learn about the final processing of a wooden surface, the possibility of colouring, impregnation and wood protection.
Learning outcomes:
Advanced woodworking skills
Entry requirements: Three-year experience through sculpture practice, one-year experience in wood-working.
Semester: autumn | Maximum number of visiting students: 3
Language: Serbian – available for international students
Sculpture in Wood 4/2
Faculty of Fine ArtsStudy Programme: Sculpture
Code: ULC61 | Course level: undergraduate | ECTS credits: 2
Professor: Dušan Petrović
Description:
Students gradually move from smaller to larger formats – up to 1 m sculptures in plastic and relief sculptures. Students are acquainted with the possibilities of fitting the sculpture into the wood mass and forming a woodblock by gluing several wooden pieces. Students significantly broaden their knowledge of different kinds of wood, their technical properties, including their knowledge of the very being of wood, as perceived in today’s world of modern sculpture.
Examples from the history of art are analyzed.
Enhanced technical skill in handling tools is also required. Students learn how to apply electrical tools and wood processing machines. Students are warned against the dangers of injury and instructed how to properly handle the tools, as well as to use protective equipment in their work.
Students learn about the final processing of a wooden surface, the possibility of colouring, impregnation and wood protection.
The final rigging of the work and its presentation.
Learning outcomes:
Advanced woodworking skills.
Students gradually move from smaller to larger formats – up to 1 m sculptures in plastic and relief sculptures. Students are acquainted with the possibilities of fitting the sculpture into the wood mass and forming a woodblock by gluing several wooden pieces. Students significantly broaden their knowledge of different kinds of wood, their technical properties, including their knowledge of the very being of wood, as perceived in today’s world of modern sculpture.
Examples from the history of art are analyzed.
Enhanced technical skill in handling tools is also required. Students learn how to apply electrical tools and wood processing machines. Students are warned against the dangers of injury and instructed how to properly handle the tools, as well as to use protective equipment in their work.
Students learn about the final processing of a wooden surface, the possibility of colouring, impregnation and wood protection.
The final rigging of the work and its presentation.
Learning outcomes:
Advanced woodworking skills.
Entry requirements: Three-year experience through sculpture practice, one-year experience in wood-working.
Semester: spring | Maximum number of visiting students: 5
Language: Serbian – available for international students
Printmaking and Drawing 5/2
Faculty of Fine ArtsStudy Programme: Printmaking
Code: ULB84 | Course level: undergraduate | ECTS credits: 16
Professor: Žarko Smiljanić, Miodrag Mlađović, Dragan Momirov, Katarina Zarić, Aleksandar Mladenović, Vladimir Veljašević, Adam Pantić, Vladimir Milanović
Description:
This course is focused on further developing individual visual articulation. Special emphasis is accorded to further mastering all printmaking techniques and to building a professional attitude towards the material and technology. Each student chooses the medium that best suits his or her visual expression, and produces a complex project.
Learning outcomes:
Forming a professionally creative and socially responsible personality, with good visual and technical knowledge, capable of teamwork and ready to independently step into the contemporary art world.
This course is focused on further developing individual visual articulation. Special emphasis is accorded to further mastering all printmaking techniques and to building a professional attitude towards the material and technology. Each student chooses the medium that best suits his or her visual expression, and produces a complex project.
Learning outcomes:
Forming a professionally creative and socially responsible personality, with good visual and technical knowledge, capable of teamwork and ready to independently step into the contemporary art world.
Entry requirements: Completing undergraduate studies, enrolment in the first semester of master studies.
Semester: spring | Maximum number of visiting students: 2
Language: Serbian – available for international students
Writing Academic Papers
Faculty of Fine ArtsStudy Programme: Theory and History of Arts
Code: 000 | Course level: undergraduate | ECTS credits: 00
Professor: Saša Radojčić
Description:
The course is focused on learning standard methods and procedures for writing academic papers and using common tools in this process. Students have to write at least one review article regarding a book about art.
Learning outcomes:
After the course students would have general knowledge of the aims and techniques of academic writing.
The course is focused on learning standard methods and procedures for writing academic papers and using common tools in this process. Students have to write at least one review article regarding a book about art.
Learning outcomes:
After the course students would have general knowledge of the aims and techniques of academic writing.
Semester: autumn | Maximum number of visiting students: 4
Language: Serbian – available for international students
Drawing After Live Model 2/1
Faculty of Fine ArtsStudy Programme: Painting
Code: ULA01 | Course level: undergraduate | ECTS credits: 4
Professor: Nataša Kokić, Luka Tripković
Description:
Life drawing of the nude human figure on paper up to B2 in size. The course continues to explore the relationship between the proportions and character of a figure and to cultivate small-scale drawings as an independent art discipline. Understanding the problem of composition and the phenomena of light and form (the elements of visual art: line, colour, shape or form, value, texture, direction and scale). Capturing the atmosphere and creative visual relationship between the figure and the surrounding space.
Learning outcomes:
Improving students' technique of rendering of the proportions and character of the human figure as a basis for visual study. Rapid comprehension of form and its rendering through articulated drawing. Developing manual skills through the selection and effective use of drawing materials.
Life drawing of the nude human figure on paper up to B2 in size. The course continues to explore the relationship between the proportions and character of a figure and to cultivate small-scale drawings as an independent art discipline. Understanding the problem of composition and the phenomena of light and form (the elements of visual art: line, colour, shape or form, value, texture, direction and scale). Capturing the atmosphere and creative visual relationship between the figure and the surrounding space.
Learning outcomes:
Improving students' technique of rendering of the proportions and character of the human figure as a basis for visual study. Rapid comprehension of form and its rendering through articulated drawing. Developing manual skills through the selection and effective use of drawing materials.
Entry requirements: Enroled undergraduate studies in painting, sculpture, graphics and new media
Semester: autumn | Maximum number of visiting students: 3
Language: Serbian – available for international students
Drawing After Live Model 2/2
Faculty of Fine ArtsStudy Programme: Painting
Code: ULA02 | Course level: undergraduate | ECTS credits: 4
Professor: Nataša Kokić, Luka Tripković
Description:
Life drawing of the nude human figure on paper up to B2 in size. The course continues to explore the relationship between the proportions and character of a figure, and to cultivate small-scale drawings as an independent art discipline. Understanding the problem of composition and the phenomena of light and form (the elements of visual art: line, colour, shape or form, value, texture, direction and scale). Capturing the atmosphere and creative visual relationship between the figure and the surrounding space.
Learning outcomes:
Improving students' technique of rendering of the proportions and character of the human figure as a basis for visual study. Rapid comprehension of form and its rendering through articulated drawing. Developing manual skills through the selection and effective use of drawing materials.
Life drawing of the nude human figure on paper up to B2 in size. The course continues to explore the relationship between the proportions and character of a figure, and to cultivate small-scale drawings as an independent art discipline. Understanding the problem of composition and the phenomena of light and form (the elements of visual art: line, colour, shape or form, value, texture, direction and scale). Capturing the atmosphere and creative visual relationship between the figure and the surrounding space.
Learning outcomes:
Improving students' technique of rendering of the proportions and character of the human figure as a basis for visual study. Rapid comprehension of form and its rendering through articulated drawing. Developing manual skills through the selection and effective use of drawing materials.
Entry requirements: Enroled undergraduate studies in painting, sculpture, graphics and new media
Semester: spring | Maximum number of visiting students: 3
Language: Serbian – available for international students
Drawing 2/1
Faculty of Fine ArtsStudy Programme: Sculpture
Code: ULC46 | Course level: undergraduate | ECTS credits: 4
Professor: Davor Dukić, Dunja Trutin
Description:
Live model, nude or portrait drawing, as well as still life and interior drawings on large or medium format, applying various techniques, in order to practice visual perception, observation and image transposition of the observed objects. Drawing is conceived as an independent art subject, aimed at preparing students for the design and production of sculptures or reliefs.
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Learning outcomes:
Students are capable of making drawings, applying the knowledge of proportion, movement, composition, construction, structure and perception of light and space
Live model, nude or portrait drawing, as well as still life and interior drawings on large or medium format, applying various techniques, in order to practice visual perception, observation and image transposition of the observed objects. Drawing is conceived as an independent art subject, aimed at preparing students for the design and production of sculptures or reliefs.
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Learning outcomes:
Students are capable of making drawings, applying the knowledge of proportion, movement, composition, construction, structure and perception of light and space
Entry requirements: To complete the first year of the basic academic studies.
Semester: autumn | Maximum number of visiting students: 2
Language: Serbian – available for international students
Drawing 2/2
Faculty of Fine ArtsStudy Programme: Sculpture
Code: ULC47 | Course level: undergraduate | ECTS credits: 4
Professor: Davor Dukić, Dunja Trutin
Description:
Live model, nude or portrait drawing, as well as still life and interior drawings on large or medium format, applying various techniques, in order to practice visual perception, observation and image transposition of the observed objects. Drawing is conceived as an independent art subject, aimed at preparing students for the design and production of sculptures or reliefs.
Learning outcomes:
Students are capable of making drawings, applying the knowledge of proportion, movement, composition, construction, structure and perception of light and space.
Live model, nude or portrait drawing, as well as still life and interior drawings on large or medium format, applying various techniques, in order to practice visual perception, observation and image transposition of the observed objects. Drawing is conceived as an independent art subject, aimed at preparing students for the design and production of sculptures or reliefs.
Learning outcomes:
Students are capable of making drawings, applying the knowledge of proportion, movement, composition, construction, structure and perception of light and space.
Entry requirements: To complete the first year of the basic academic studies.
Semester: spring | Maximum number of visiting students: 2
Language: Serbian – available for international students
Drawing 3/1 (Sculpture)
Faculty of Fine ArtsStudy Programme: Sculpture
Code: ULC48 | Course level: undergraduate | ECTS credits: 4
Professor: Radoš Antonijević, Zdravko Joksimović, Olivera Parlić, Dunja Trutin
Description:
The course curriculum is focused primarily on drawing as an individual research practice, developed simultaneously with works in other media. Students receive guidance through the process based on their individual interests, references and methodologies. Along with exploration of a wide range of drawing techniques and subjects, the course program allows students to explore drawing in the expanded field.
Learning outcomes:
Development of individual poetics and research methodologies in drawing as an artistic medium; gaining new skills in multiple traditional or experimental drawing techniques, as well as methods relevant in contemporary drawing practice.
The course curriculum is focused primarily on drawing as an individual research practice, developed simultaneously with works in other media. Students receive guidance through the process based on their individual interests, references and methodologies. Along with exploration of a wide range of drawing techniques and subjects, the course program allows students to explore drawing in the expanded field.
Learning outcomes:
Development of individual poetics and research methodologies in drawing as an artistic medium; gaining new skills in multiple traditional or experimental drawing techniques, as well as methods relevant in contemporary drawing practice.
Semester: autumn | Maximum number of visiting students: 2
Language: SER/ENG
Drawing 3/2 (Sculpture)
Faculty of Fine ArtsStudy Programme: Sculpture
Code: ULC49 | Course level: undergraduate | ECTS credits: 4
Professor: Radoš Antonijević, Zdravko Joksimović, Olivera Parlić, Dunja Trutin
Description:
The course curriculum is focused primarily on drawing as an individual research practice, developed simultaneously with works in other media. Students receive guidance through the process based on their individual interests, references and methodologies. Along with exploration of a wide range of drawing techniques and subjects, the course program allows students to explore drawing in the expanded field.
Learning outcomes:
Development of individual poetics and research methodologies in drawing as an artistic medium; gaining new skills in multiple traditional or experimental drawing techniques, as well as methods relevant in contemporary drawing practice.
The course curriculum is focused primarily on drawing as an individual research practice, developed simultaneously with works in other media. Students receive guidance through the process based on their individual interests, references and methodologies. Along with exploration of a wide range of drawing techniques and subjects, the course program allows students to explore drawing in the expanded field.
Learning outcomes:
Development of individual poetics and research methodologies in drawing as an artistic medium; gaining new skills in multiple traditional or experimental drawing techniques, as well as methods relevant in contemporary drawing practice.
Semester: spring | Maximum number of visiting students: 2
Language: SER/ENG
Drawing 4/1 (Sculpture)
Faculty of Fine ArtsStudy Programme: Sculpture
Code: ULC50 | Course level: undergraduate | ECTS credits: 4
Professor: Radoš Antonijević, Zdravko Joksimović, Olivera Parlić, Dunja Trutin
Description:
The course curriculum is focused primarily on drawing as an individual research practice, developed simultaneously with works in other media. Students receive guidance through the process based on their individual interests, references and methodologies. Along with exploration of a wide range of drawing techniques and subjects, the course program allows students to explore drawing in the expanded field.
Learning outcomes:
Development of individual poetics and research methodologies in drawing as an artistic medium; gaining new skills in multiple traditional or experimental drawing techniques, as well as methods relevant in contemporary drawing practice.
The course curriculum is focused primarily on drawing as an individual research practice, developed simultaneously with works in other media. Students receive guidance through the process based on their individual interests, references and methodologies. Along with exploration of a wide range of drawing techniques and subjects, the course program allows students to explore drawing in the expanded field.
Learning outcomes:
Development of individual poetics and research methodologies in drawing as an artistic medium; gaining new skills in multiple traditional or experimental drawing techniques, as well as methods relevant in contemporary drawing practice.
Semester: autumn | Maximum number of visiting students: 2
Language: ENG
Drawing 4/2 (Sculpture)
Faculty of Fine ArtsStudy Programme: Sculpture
Code: ULC51 | Course level: undergraduate | ECTS credits: 4
Professor: Radoš Antonijević, Zdravko Joksimović, Olivera Parlić, Dunja Trutin
Description:
The course curriculum is focused primarily on drawing as an individual research practice, developed simultaneously with works in other media. Students receive guidance through the process based on their individual interests, references and methodologies. Along with exploration of a wide range of drawing techniques and subjects, the course program allows students to explore drawing in the expanded field.
Learning outcomes:
Development of individual poetics and research methodologies in drawing as an artistic medium; gaining new skills in multiple traditional or experimental drawing techniques, as well as methods relevant in contemporary drawing practice.
The course curriculum is focused primarily on drawing as an individual research practice, developed simultaneously with works in other media. Students receive guidance through the process based on their individual interests, references and methodologies. Along with exploration of a wide range of drawing techniques and subjects, the course program allows students to explore drawing in the expanded field.
Learning outcomes:
Development of individual poetics and research methodologies in drawing as an artistic medium; gaining new skills in multiple traditional or experimental drawing techniques, as well as methods relevant in contemporary drawing practice.
Semester: spring | Maximum number of visiting students: 2
Language: SER/ENG
